Listen: Cathedral Bells unveil new single ‘Heavy Rain’

During the first quarter of 2019, Cathedral Bells released an enjoyable debut EP, celebrating various retro dreampop and shoegaze moods.  Although taking influence from the 80s, its best songs showed how their chosen genre could still sound relevant and vibrant in the present.

The band has a new full length album due for release on Good Eye Records early next year, but in the meantime, you can listen to a new single ‘Heavy Rain’.

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WHY SUN – Frugte EP

Copenhagen’s Why Sun bill themselves as a “sleepy noise trio”. To most people, especially those old enough to be absorbed in alternative sounds circa 1986, this translates as “heavy gothic shoegaze with dream pop guitar”. There isn’t anything new in the noises Why Sun create – most of their influences come over like the proverbial sledgehammer – but what they lack in originality, they make up for with absolute conviction.

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Watch the new video from Cathedral Bells

In the first quarter of 2019, shoegazers Cathedral Bells released their self-titled debut EP.  Shamelessly retro, its six tracks mined the 90s for inspiration and delivered a listen that was almost guaranteed to please lovers of bands from the 4AD label.

To further promote that enjoyable EP, the band have now shared a fuzzy, low-budget video for one of its more commercial tracks, ‘Cemetery Surf’.

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Russian Baths share new track ‘Parasite’

US noise rockers Russian Baths have issued a new digital single this week.  Entitled ‘Parasite’, the new track cranks up the guitars in a way that recycles a love for old arty, shoegaze inflected noise.

It’s overall feel should appeal to those who loved My Bloody Valentine in the early 90s and have more recently fallen for the charms of the more melodic end of A Place To Bury Strangers’ distortion drenched output.

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CATHEDRAL BELLS – Cathedral Bells EP

A dreampop and shoegaze influenced project helmed by Matt Messore (previously of Dear Tracks), Cathedral Bells’ debut EP isn’t exactly shy about recycling musical influences. With strong elements of the more commercial Jesus & Mary Chain, the synthier and more cinematic aspects taken from The Cure and more than a trace of Pale Saints, its six tracks play like the greatest EP not to be released by 4AD Records in 1990. When influences and moods are recycled as well as they are here, originality is more than welcome to take a back seat as Cathedral Bells join Norway’s Spielbergs in heading up a full-on 90s revival.

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