The House of Love’s debut to get 5 disc deluxe treatment

Back in 2012, Cherry Red Records issued a lavish 3CD package of The House of Love’s UK debut album.

‘House of Love’, or as it is informally referred ‘The Black Jumpers Album’ turns 30 by the end of June and to celebrate, Cherry Red have dug into the vaults once more to expand the much-loved disc a second time. For the thirtieth anniversary reissue, the album will be released as a fully comprehensive five disc set.

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SPIELBERGS – Distant Star EP

One of the best things to come out of 2018, Spielbergs are the best band from the 90s you’ve never heard. Their debut EP ‘Distant Star’ is also the first release on a small UK indie label, By The Time It Gets Dark, and between them, they have a potential classic on their hands. This EP is a real adrenalin hit for anyone who loved shoegaze and goth sounds in the 90s; a sharp reminder – if needed – that they do make them like they used to. It’s the kind of release that could make similar bands raise their eyebrows, give a collective shrug and throw in the towel. This might sound like mere hype, but frankly, ‘Distant Star’ really is that good.

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“We Are All Going To Die”: Spielbergs unveil optimistic new music

Fusing elements of shoegaze and the more accessible bits of a post rock sound, Norwegian trio Spielbergs make a big impression on their new single.

‘We Are All Going To Die’ harks back to the 90s whilst keeping one foot firmly in the present.  Their wall of sound approach can be emotionally draining, yet at the same time, their new music has an intensely rousing quality that fans of shoegaze and associated subgenres shouldn’t miss.

You can listen in full below.

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Take a trip to ‘Hawaii’ with Clilean shoegazers MAFF

They’ve been away for a while, but Chilean shoegaze sensations MAFF are back with a new EP ‘Melañiña’, which releases in April.

Before the full release, you can check out two of the new songs on Soundcloud, including the new digital single ‘Hawaii’, which absolutely destroys by a way of a heavy and pulsing bass, before the whole track explodes into a world of 90s distortion culling the very best from Catherine Wheel and My Bloody Valentine.

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