In November 2019, Real Gone reached its ten year anniversary of being online. To celebrate, we shared thoughts on ten albums we loved from that decade. That list came with two strict rules beyond becoming favourites: each year had to be represented by one album and each album had to in some way have helped our site to become more established.
As we reach the end of the year, it’s time to look back more broadly on some of our favourite albums of the ’10s; albums that have kept us listening for pleasure long after the reviews and coverage have been completed. If you’re a regular visitor to Real Gone, lots of these names will be familiar by now, but we hope this time for looking back helps to reconnect with a couple of old favourites, or find you a new one somewhere along the way. [Full reviews & streams can be found by clicking on the individual titles.]
In 2018, Real Gone celebrated its ninth birthday. It’s been a long and hard road to this point, but we’re pleased to be celebrating our most successful year online to date. Hundreds of new albums have been heard and a record number of gigs have been attended. Not only has this year been our biggest success…it’s also been our favourite.
Nearing the close of 2018, it’s time to look back and celebrate our favourite events – including our top ten album releases…
Normally, each year has an album that’s a clear stand out. Making that distinction this time around has been somewhat trickier, so we’re awarding a joint “album of the year” to two very different albums. If that seems like a cop-out, we don’t care…there really was only a hair’s breadth between them.
Previously at this point in December, it has become the custom for Real Gone to issue a free download containing some of the best underground tracks of the year. For the past seven or eight years, these downloads have been a popular fixture on the Real Gone calendar, turning people on to all kinds of artists.
With the changing times, we regret to say the era of the free sampler has come to an end. It seems that people much prefer streaming and with that in mind, we’ve made the decision to highlight some of our favourite tunes in an eighty minute playlist.
It’s a Saturday night nearing the end of March 2018. A crowd has gathered outside the Shepherd’s Bush Empire. The night’s star turn is Jim Bob, one time of Carter The Unstoppable Sex Machine, here to play an acoustic solo set to a sell out crowd. Figures stroll up and down in the cold. A typical Saturday night pre-gig scene, you might think… It’s the norm on these occasions to wander past those with flyers and not make eye contact, but tonight, something is different. A flame haired woman is dishing out glossy pieces of paper and yelling “SALAD IS BACK ON THE MENU!” in a way that’s impossible to merely shrug off.