Roger Waters, ex-Pink Floyd bassist, songwriter and heavy-handed social commentator, released his third solo album, the rather grand ‘Amused To Death’ in 1992. A concept piece about media propaganda and news coverage, the album was one of the best sounding records of the year. It blended a few familiar Floydian motifs with the more atmospheric elements of his own ‘Pros & Cons of Hitch-Hiking’ and resulted in a cult classic. From then on, very little was heard from Waters with regard to studio material. It was perhaps wise to take some time out, of course, for to follow such a near-perfect record (at least for the style) would have been a fools errand.