Taken from their forthcoming album ‘Mournography’, UK goth rockers Her Despair have unleashed a new video for ‘Blaspheme With Me’. The track has a pinch of metal, but the over-riding mood is a very retro one, with the band carrying more influence from Bauhaus and Sisters of Mercy than HIM or Type O Negative.
Combining a busy and melodic tune with a slightly darker vocal, mournfulness rarely sounded so good and if you still love gothic music from the 80s, there’s something for you to enjoy.
The full press release and video can be found below.
Over the past couple of years, Rum Bar Records has delivered a truckload of great DIY music. We’ve seen great rock and releases from Watts, Kris Rodgers and K7s (featuring Kurt Baker). We’ve seen an equally impressive soul revue from Shanda & The Howlers.
[Articles/streams of each can be found behind the HTML links]
The hits keep coming… The label now has another free download for you in the shape of the new single from Duck & Cover ahead of the Summer release of their EP.
What might happen if you took the rootsier qualities of The Black Crowes, a little of the gritty vocal edge of John Fogerty and a broad love of American rock? Chances are you’d end up with a band that sounded a little like Howlin Rain.
The retro rockers are set to unveil their fifth album ‘The Alligator Bride’, but first a new single… Released a week prior to the album, ‘Missouri’ will be downloadable from the usual outlets on June 2nd, but you can watch the full video clip right now, as it’s streaming in full below.
For thirteen years, Liv Sin was the frontwoman with Swedish hard rock/metal band Sister Sin. Armed with various old school riffs and a hard vocal style, the band shared stages with King Diamond and Slayer and drew comparisons with Children of Bodom and Skew Siskin. All things come to an end and after Sister Sin decided to call it a day, Liv embarked upon a solo career. Continuing to plough a classic Euro metal furrow, her first solo outing ‘Follow Me’ (released in 2017) was produced by Accept’s Stefan Kaufmann and featured guest performances from members of 69 Eyes and Destruction. With plenty of high octane riffery and a footing in a late 80s sound, the album had plenty of appeal for those who like Benedictum, Accept and even Sabaton.
As its title suggests, her 2018 EP ‘Inverted’ EP represents a much more low-key, moody artist. In her own words, the original plan “was to do a stripped down acoustic EP”, but the process took the band “somewhere else”. That somewhere else is quite removed from the bombast of ‘Follow Me’, but it’s a recording that long-time fans might find interesting.
In 2016, J Eastman and the Drunk Uncles – a bar band from Minneapolis with an Uncle Tupelo obsession – released ‘No Capo Required’, a rough and ready EP that was as much a gutsy homage to their musical heroes as a no-frills love letter to musical fun. Not all good music has to be perfect and the Uncles seemed keen to champion that message. Two years on, the follow up ‘Pleasing Some of The People…’ keeps a firm hold on their slightly sloppy but incredibly gung ho style, but trades in some of the more rootsy elements for a tough but not always entirely tuneful power pop edge. Put it this way: with mid-period Replacements as part of the blueprint, you can’t help but hear more than a trace of the best music that sprang from their geographical roots on parts of this release.