Mixing prog, pop and AOR, the first album by World Trade is somewhat of a cult classic. Showcasing Billy Sherwood’s multi-layered sound, the record is essential listening for fans of ‘Images of Forever’ by Cannata, ‘90125’ era Yes and ‘Hold Your Fire’ era Rush. Given it’s technical approach and sophisticated choruses, it’s no wonder Billy became a member of the Yes family tree a short time later. Six years on, a second World Trade album appeared, but ‘Euphoria’ seemed to not quite match expectations. Maybe it’s because both Guy Allison and Bruce Gowdy had founded AOR band Unruly Child with Marcie Free in the interim and had other interests; maybe it was just a difficult second record. The record, while enjoyable, lacked the focus of the debut and re-used tracks that Sherwood had previously demoed with Chris Squire alongside other material.
With Sherwood having other projects taking his time and also taking on the unenviable position of full time bassist with the ever-touring Yes in 2015, and with Gowdy and Allison having commitments with Unruly Child, it seemed we’d heard the last of World Trade…and then a third album appeared somewhat unexpectedly on Frontiers Records in 2017.
In the first half of 2017, Strange Majik released the ‘Soul Crisis‘ EP. It’s four songs melded the typical Strange Majik funk, rock and soul sounds with a less typical anger. Donald Trump had just become one of the most powerful men in the world with a mandate that would drag the US backwards at a frightening rate. No wonder Strange Majik’s head honcho David Pattillo was in a foul mood. Several months down the line, very little has changed with the state of the world. Trump has increasingly made America a laughing stock, but people aren’t taking it lying down…or letting it stifle their voices or creativity.
It’s Friday night in Ramsgate. In the harbour, people are going about their usual Friday night business, drinking Belgian beers and eating tapas. On the other side of town, at the Ramsgate Music Hall, something far more unexpected is about to happen. Tommy Stinson is about to take the stage with his band Bash & Pop. For those still unaware, Tommy is a cult hero, possibly even a legend. Between the early 80s and 90s, he played bass with The Replacements, a garage rock/punk band who gained a devoted following and became influential to a future generation of musicians. He’s been a member of both Soul Asylum and Guns N’ Roses. In between those musical ventures, he’s put out a couple of great solo records and two releases with a largely overlooked band, the ironically named Perfect.
When a musician is both prolific and open to lots of influences, they’ll end up with lots of musical ideas that don’t quite fit their regular outlet. Such is the case for multi-instrumentalist Adrian Jones. Whilst working on the Nine Stones Close album ‘One Eye On The Sunrise’, he and studio engineer/multi-instrumentalist Michel Simons recorded various pieces of music of a more laid-back and ambient nature. Rather more rooted within electronica and the darker worlds of Massive Attack than rock, the musical ideas were eventually released as an album, ‘The Path of Least Existence‘ credited to Jet Black Sea in 2013. With Jones returning to Nine Stones Close almost immediately afterwards and their ‘Leaves‘ album featuring some very dark and anguished material, it seemed like Jet Black Sea was merely a temporary outlet. A brilliant outlet, but not necessarily an ongoing fixture in the 9SC family tree. However, three years after their first Sea voyage, Jones and Simons re-entered the studio.
On December 1st 1976, UK TV history was made. On Bill Grundy’s Today show, the Sex Pistols and a couple of their associated chums shocked a nation. Their behavior was quickly seen as inappropriate for most of the 1970s public and by the time their interview concluded with Steve Jones calling Grundy “a fucking rotter”, things had moved from merely “inappropriate” to “causing outrage”.