THE PICTURES – I Can’t Hold It Back / Ground Control (4 Track Demo)

The name Davey Lane might not mean much to a huge amount of people in the UK, but the Aussie musician has been more than prolific over the years. In the 90s, he was a key member of rock band The Pictures before joining You Am I in 1999. In more recent times, he’s carved out a solo career, played on albums by Jimmy Barnes, The Saints’ Chris Bailey, and also appeared on recordings by Robyn Hitchcock. He’s worked with the legendary Todd Rundgren, and even toured with Crowded House. He’s the archetypal go-to guy; a face you don’t necessarily know, but one that has always been there.

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NE’ER DO WELL – Fun Days EP

Described as Motley Crue meets Fall Out Boy, Ne’er Do Well is a project helmed by singer/songwriter Bryan Rolli. This debut EP is a superb showcase of a versatile one man band, dropping massive chorus hooks against a variety of equally massive riffs, on a short rollercoaster journey that never sells the listener short when it comes to excitement. Granted, a lot of Rolli’s influences are laid on with a trowel, but it’s what he does with those that counts, and this release makes a lot of familiar sounds feel really sparky. What’s more, it’s always clear that the performer really believes in the material.

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PAT TODD & THE RANKOUTSIDERS – Tell Us All A Story / Prison Of Love

Pat Todd first came to prominence with the Lazy Cowgirls in the 70s, but has fronted The Rankoutsiders since 2004. This accompaniment to his ‘Blues, Soul & Rock and Roll’ EP pairs a new Rankoutsiders recording with a cover tune that’s somehow been on Todd’s “to do” list for decades. In doing so, it marries the past and present, neatly drawing a line under a long overdue project whilst simultaneously looking forward.

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FLASH – In The USA: Live Recordings 1972-73

In terms of their very limited studio output, Flash were, and remain, one of the most overlooked bands of the early 70s. Despite featuring two ex-members of Yes – Peter Banks (guitar) and Tony Kaye (keyboards) – their work isn’t often mentioned with the revered tones it so deserves. Their first two albums (‘Flash’ and ‘In The Can’) are home to some brilliant sounds, mixing elements of blues and prog with bits of hard rock. Although sometimes less fussy than the band Banks and Kaye left behind, Flash’s work is no less grand. At their best, they could fuse jazz rock elements with ethereal vocals (‘There No More’), or hit upon a great 70s rock groove and pepper that with obvious Yes-like flourishes (‘Children of The Universe’). Their work could occasionally be derivative of Yes; their albums sometimes felt like cobbled together collections rather than truly cohesive works, but Flash were never dull.

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