With bands like No Fun At All and Millencolin helping to fly the flag and carry the banner, Sweden has provided plenty of pop punk protein since the 90s. The Hangups follow very much in the tradition of the classic Lookout! Records releases; in fact, this Malmo based trio sound like a product of a time machine experiment to bring back the best bits of Screeching Weasel and Parasites records for their debut EP.

The opening track on this self-titled disc wastes no time in flaunting their love of those particular bands. The whole number really shows a love for Dave Parasite’s melodic charm circa ‘Punch Lines’, while peppering each of the instrumental breaks with a lead guitar that would do Ben Weasel and the more approachable John Jughead proud. Digging a little deeper, obviously the vocal comes with a slight European accent which, much like Hateful Monday, provides some of the charm, but in terms of structure these guys aren’t merely just recycling Ramonescore by the (1-2-3-4) numbers. The chorus, in particular, is impressive showing a slight power pop tendency that might just about reel in a slightly broader audience. In short, if you like pop punk, you’ll love this track – it’s the perfect addition to your next digital mixtape or online playlist.

‘I Don’t Wanna Be With You’, on the other hand, is a straight up Ramones homage, just played more aggressively. In under two minutes, this shows that these Swedes are able to completely nail the style in hand; it also demonstrates their unnamed drummer really knows his way around his kit. The chorus is both sneering and insanely catchy; the lead guitar break casts an ear back to ‘My Brain Hurts’ era Weasel and the sheer energy alone is enough to make this enjoyable. Moving into something a little longer – though still shy of three minutes – ‘Alone’ mixes a punchier, more jagged rhythm with a hugely melodic vocal line. Having used a couple of numbers to warm up, it’s here The Hangups go for broke punctuating most lines with a hefty “whoah” or trusted “oh yeah!”. There are ghosts of so many classic Lookout! bands within the DNA and yet a combination of talent and boundless enthusiasm ensures this sounds anything but stale.

Last up, ‘It’s You’ is an eighty five second belter that is impossible to dislike – provided you’re punkily inclined, of course – and The Hangups take all of their previous traits and pummel them into something a touch more aggressive. While still very much of their own making – something recognisable through the accented voice – their love of pop punk again tips the hat to Screeching Weasel, but also harks back to the faster and more affronting tracks from the earlier part of No Fun At All’s catalogue (something probably ingrained due to geography). Although there’s not much time to sink your teeth in to this track – or indeed, the whole EP – there’s time enough to appreciate Hugo’s deep rattle of a bass and especially the way it locks in firmly with the work of the mystery snare basher.

Obviously, the vinyl version is the best format, but digital buyers get an extra track, ‘Not OK’. There’s little to be said, except that it ploughs a similar furrow to ‘I Don’t Wanna Be With You’ that brings a combination of speed and well worth having…

For fans of Ramonescore sounds, this is an EP that deserves to be in heavy rotation. Yes, it’s short – too short – but there’s a whole world of fun to be had listening and the band’s love for the style creeps through every note. In short, if you love Screeching Weasel, The Apers, Radio Buzzkills, Parasites and/or K7s, you’ll have a new favourite to add to your collection. Grab it as soon as possible.

March 2018


Caffeinds’ 2014 release, the ‘HeeBee GB’s EP’, was an unpolished affair, but there was no denying it was a recording made with love. It was rough and ready, as you’d expect something DIY to be, but above all, it was fun. It didn’t get a lot of attention within punk circles (certainly not on a big scale at any rate), but that didn’t stop the band trucking on. That same year’s full length release blended influences from Screeching Weasel and the Misfits in such a way that you couldn’t help but like it – warts ‘n’ all – while 2015’s ‘No Gods, No Decaf’, with an increased recording budget and a bratty attitude, was their best work to date. With each release, it’s been possible to hear Caffeinds making a necessary leap forward.

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MORATONES – Moratones EP

Every week, new bands surface playing homage to the Ramones, The Queers and their ilk, and about once a month, you’ll probably find one good enough to add to your regular punk playlist. Such is the case with Moratones, a Spanish take on classic pop punk themes. On this EP release, their music is played with such authenticity that, within about a minute, you’ll completely forget that the vocals are all in Spanish and just get swept along with the band’s general love for the style.

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TOUGH – Obey The Ramones EP

Tough EPItalian punks Tough [not to be confused with Poison wannabes, glam rockers Tuff] first appeared in the mid-noughties from which point they kept themselves busy knocking out material on various DIY labels.  In addition to various split 7”s, by 2013 they had four albums under their collective belt and had increased their following with each passing year.  Their 2014 EP ‘Obey The Ramones’ might just be their best to date, its four high energy numbers presenting the best in melodic punk.

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the nutsItaly isn’t short of great punk rock bands.  The Manges have gained a big cult following with their Ramones-obsessed schtick, enough to secure them a US released split with the legendary Queers; Killtime do almost as good a job at being Screeching Weasel than the Weasel themselves; then in addition to those who’ve broken through to the US, there’s a whole scene of hardcore bands…   Hailing from Piacenza, The Nuts are another Italian band on which to keep a very close eye.  The three piece band are yet another outfit that take four chords and an unhealthy obsession with Joey & Johnny, but like so many others borrowing from such a timeless source, the results are absolutely first rate.  On their 2014 EP they capture four lightning bolts of punk guaranteed to please.

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