In 2016, The Graham Bonnet Band released ‘The Book’, a brilliant release that managed to look forwards and backwards simultaneously. Its first disc presented a selection of brand new hard rock numbers – many of which represented Bonnet’s best work for a long time – and the second celebrated his past by offering re-recordings of songs originally released by Rainbow, Michael Schenker Group, Alcatrazz and more. The record didn’t especially care for being fashionable, but it was a timely reminder – at least for some – that Bonnet could still deliver the goods when backed by the right musicians.
After leaving Rainbow in the mid-80s, keyboard player David Rosenthal began writing songs with a budding AOR singer named Mitch Malloy. The sessions produced some fantastic material, but circumstances changed and recording sessions for a proposed album were abandoned. Malloy subsequently recorded a solo album (a self-titled release, it was soon considered a melodic rock essential) and Rosenthal set about forming a permanent band. The new band, Red Dawn, saw David drafting in a familiar face in drummer Chuck Burgi – a trusted friend from his Rainbow days – and ex-USA vocalist Larry Baud. For those who heard it, their one and only album, 1993’s ‘Never Say Surrender’ would ultimately change the landscape of 90s melodic rock forever.
At the midpoint of the decade, 1974 appeared to have no definite dominant genres, but that allowed for a very varied singles chart. 1975 very much follows that trend, but pushes some of the focus back to great albums.
Graham Bonnet is one of the UK’s hardest working rock vocalists. In the past, he’s fronted big name bands, been a voice for hire for several widdly guitarists and even found time in between for a hit and miss solo career. When on good form, Bonnet can be terrific (as evidenced on Rainbow’s classic ‘Down To Earth and his own ‘Line Up); when he misses the mark, he has the ability to do so in a devastating way (the Blackthorn debut is pretty nasty, and somehow his solo LP ‘No Bad Habits’ from 1978 ended up being one of the worst albums ever recorded). Despite these inconsistencies, the Skegness born singer has reached legendary status.
In 2015, the legendary Joe Lynn Turner lent his vocal stylings to an all-star project entitled Rated X. A hard rock release best designed to impress fans of a Euro metal style and injected with an obvious influence from Rainbow, the album found Joe in good voice. It was also by far the best thing Carmine Appice had been associated with since 1986. Fans hoped that Turner would next reappear as part of the resurrected Rainbow and, by all accounts, he was keen to get involved, but Ritchie Blackmore – and perhaps, more importantly – Ritchie Blackmore’s ego had other plans.