BULLET PROOF LOVERS – Shot Through The Heart

In 2015, singer songwriter and power pop champion Kurt Baker capitalised on his escalating popularity in Europe by teaming up with a bunch of Spanish garage rock and bar band heroes…and Bullet Proof Lovers was born. Not so much out of necessity, but from fun, and the resulting mini-album (which had a belated US release in 2016) saw Baker tackling some of his punkiest tendencies since his days with The Leftovers.

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ALWAYS SICK – Telephone EP

Russia’s Always Sick are another band joining the onslaught of punkers either channelling classic Ramones or ‘39/Smooth’ era Green Day for their primary influences. Ranging from the almost piss-takingly good (Riverdales, Tough) to the flat out awful, there’s a world’s worth of acts channelling the same four chords to make their punky mark. So many, in fact, there are now too many to even count, so it’s unsurprising when many slip by unnoticed.

 

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THE MOONSHINERS – EP

16265162_705722059610694_9173415247525155349_nArmed with a love of Rocket From The Crypt and (the) Misfits, Peterborough punk ‘n’ rollers The Moonshiners are set to slap you in the jaw with a potent, riff-heavy sound on their untitled 2017 EP . Their self-financed release serves up half an album’s worth of raw and dirty noise and couples the best riffs with a few top-notch hooks, which results in an unmissable listen for fans of the style.

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Four Chords & Twenty Seven Weasels: Real Gone meets The Radio Buzzkills

You’ve probably not heard of The Radio Buzzkills.  Chances are, even if you’re a big punk fan, the band have still slipped under your radar.  In 2017, the St Louis based band celebrated their fifteenth anniversary and they also achieved a career high point when they shared a stage with one of their all time heroes.  In January, they stopped by at Real Gone to tell us all about that soon-to-be legendary gig…and more besides.

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AS THE SUN SLEEPS – As Good As Gold EP

14882266_1120510311330619_5449958456927785368_oSince the turn of the millennium, a vast amount of music peddled as pop-punk hasn’t resembled the classic pop-punk sound of the nineties at all, but shifted rather more towards whining emo-dom or lightweight post-hardcore. The UK’s As The Sun Sleeps not only play pop-punk in the traditional sense, but are also bloody good at it.

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