THE DROWNS – Blacked Out

Towards the end of 2023 Seattle based punk ‘n’ roll band The Drowns released ‘1979 Trans Am’/‘Just The Way She Goes’, a double A-sided disc designed as a preview for their next long player. On those terms, it did an excellent job, since one track shared their gruff and ballsy rock sound driven by gravel edged vocals, and the other tapped into more accessible pop punk. It effectively showed off both of The Drowns’ musical extremes in one hit.

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DMITRY WILD – Rock N Roll Is My Business / Son Of A Gun

Dmitry Wild’s 2022 long player ‘New York Stories’ was a record brimming with good tunes. The multi-talented musician filled its metaphorical grooves with a variety of sounds ranging from Strokes inspired garage rock (‘Summer of ’21’, ‘Sweetest Thing’), echoey semi-acoustic rock that sounded like ‘Space Oddity’ era Bowie fused with Tindersticks (‘Wizard’), moody singer songwriter fare with a gentle Nick Cave-ish undercurrent (‘God, Ghost and A Ship’), and even arty rock meeting with a slacker vibe (‘21st Century’). It showed a man capable of turning his hand various styles with relative ease.

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NIGHTFREAK – Speed Trials EP

Nightfreak are a band who, in their own words, play “feral punk ‘n’ roll”. Bands sometimes have a skewed idea of how they sound, or of the intents and complexities of the music they play, but in this case, these three lads from Chicago are under no illusions. Their second release ‘Speed Trials’ fills a brutal ten and a half minutes with unrelenting material that pulls the best from Black Flag and Germs and marries that hardcore intensity to rock ‘n’ roll riffs that sound like bits of Rocket From The Crypt and New Bomb Turks colliding with Keith Morris performing with a genuine anger.

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THE DROWNS – Just The Way She Goes / 1979 Trans Am

2023 was a particularly busy year for The Drowns. The US punk ‘n’ roll band – featuring ex members of The Shell Corporation, The Briggs, and Success – released a split with The Last Gang, another split with noise punks Wonk Unit, and a cover of Sweet’s classic ‘Ballroom Blitz’. The latter continued to show off their massive love for 70s glam fare, having already covered Slade’s ‘Know Who You Are’ the previous year. In addition, they toured extensively, and their live shows even took in a huge run of dates across Europe. It’s almost as if The Drowns had long given up on the idea of sleeping…

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