Formed at the tail end of 2017, Hembree And The Satan Sisters was borne from frontman Zachary M. Hembree’s desires to record more punk oriented material. Teaming up with ex-members of Guff and Burns Like Fire, The Satan Sisters finds Hembree (ex Nuclear Blast signings Toro) opting for speed and crunch over traditional heaviness and their debut release is…immense. Packing nine tracks in under twenty minutes, the EP format suits the band extremely well, allowing their music to greet the listener with a genuine sucker punch.
Formed in the mid 90s as a punk outfit, The Peawees quickly established themselves as a band to look out for on the European scene. Over the next few years, they became musically stronger and eventually injected their sound with some good old rock ‘n’ roll attitude. A firm fan favourite, their third album ‘Dead End City’ was issued on Stardumb Records in 2001. The first pressing sold out in record time; a second pressing sold out very quickly and a vinyl reissue on Stardumb featuring bonus tracks was snapped up by eager fans, always keen for a Peawees fix. Although considered one of the band’s very best albums and a European punk classic, it took until 2019 for the album to gain a CD reissue and a US release…
Man-Eaters are a hardcore punk band bringing together ex-members of Culo and Bleeding Gums. As you might expect from that heritage, their debut cassette isn’t light and frothy, or yet another release by an identikit pop-punk/Ramonescore act. Throughout its half-dozen tracks, speed is of the essence; but more than that, this Chicago quartet brings a vast amount of musical power to their work, creating an EP of adrenaline charged ugliness that’ll almost definitely appeal to lovers of Motorhead, Speedealer and early Electric Frankenstein.
Formed in 2014, things seemed to come together quickly for Australia’s Black Heart Breakers. Within the first few years of their existence, the punk/punk ‘n’ roll quartet had already opened for punk royalty Marky Ramone, Ruts DC and Stiff Little Fingers. Such good fortune allowed the band to fly halfway across the world to record their 2018 EP at the legendary Blasting Room studios, owned by Descendents’ Bill Stevenson. So much material to come from that studio has a great, full sound and ‘Rotting Out’ is no exception. Given the place of its recording, it might not be a complete coincidence that the EP shares its name with a Descendents track, though perhaps no further connections should be sought.
Armed with a love of Rocket From The Crypt and (the) Misfits, Peterborough punk ‘n’ rollers The Moonshiners are set to slap you in the jaw with a potent, riff-heavy sound on their untitled 2017 EP . Their self-financed release serves up half an album’s worth of raw and dirty noise and couples the best riffs with a few top-notch hooks, which results in an unmissable listen for fans of the style.