The stoner/psychedelic band Kesem have only recently released their album ‘Post-Tera’, but they’re not resting on their laurels. At a time when any live promotional work is still a little hit and miss due to Covid-19 restrictions, they’re promoting the album with a new video clip.
For many years, psych/prog band The Syn’s recorded output totalled a couple of rare 7” singles. Although much loved by collectors, these recordings remained elusive throughout the 80s and 90s, all too rarely spotted at record fairs or in second hand record shops. As an early vehicle for Yes men Chris Squire, the historical value of the discs was perhaps greater than their monetary value, but they often seemed shrouded in mystery to those who discovered Yes much later. Thankfully, Umbrello Records came to the rescue in the mid noughties when they reissued The Syn’s four original 7” sides along with other period rarities and other recordings, and even though their ‘Original Syn’ compilation was terribly titled and looked cheaply packaged, it would be an invaluable collection filler for those lucky enough to grab the limited edition release.
As a contrast to the ‘Progressive Pop Sounds’ sets from Cherry Red Records subsidiary label, Grapefruit, the ongoing ‘Underground Sounds’ series from Esoteric opts for something far more rock oriented. Early collections covering 1968 and ’69 resulted in fine, but unadventurous sets of tunes, and as the series moves into the 70s, fans can expect a similarly accessible approach. Although the four disc delve into 1970 doesn’t necessary dig too deep for obscurities, it still plays very well as a compilation in its own right. In a little over four hours, it serves up nostalgia, unfamiliar curiosities and enough genuine classics to give a solid overview of the year’s prog-leaning and guitar heavy sounds.
The late 60s and early 70s were a great time for experimentation and free spirited sounds. From within the psychedelic scene came various bands who were less enthralled with rainbows and being “home in time for tea”, preferring instead to stretch blues origins into dark and heavy places, inspiring a generation of guitar heroes. Others took a mod and freakbeat approach and ladled on the distortion thus creating a more inventive take on a garage rock sound, something which arguably helped to spawn punk. By cranking their amps and embracing an artistic freedom, there were a whole spectrum of bands slowly changing the musical landscape. The original ‘I’m A Freak Baby’ box set (released by Grapefruit Records in 2016) gave a solid overview of the era for the curious listener. Although it featured a lot of material that keener rock fans would already own, it still played well as a compilation in its own right. Popular tunes by Deep Purple, Uriah Heep and Peter Green’s Fleetwood Mac could be found alongside cult numbers by Pink Fairies and The Groundhogs, as well as a few genuine obscurities from Barnabus, Sweet Slag and Cycle. A second triple disc set released in 2019 offered more gems, but dug even deeper for rarities with unreleased tracks from Natural Gas, Thor, Tarsus, and more besides.
In terms of split releases, this EP is very impressive. It ticks all of the boxes that a great split should in that, firstly, it introduces listeners to two great bands they might have missed and, secondly, it pairs some interesting original material with some well chosen covers.