Using the name Holmes, singer/songwriter/producer Roy Shakked released an unmissable covers album – the appropriately titled ‘Covers’ – back in 2011. The following years found him disappearing into a busy schedule of work: a full length album of originals appeared in 2012 and following his relocating to Israel, by 2015, he was became a member of a new band The Bright Wild. Roy’s music continued to be hidden in plain sight over the next couple of years with his compositions appearing on numerous TV shows and adverts in the US and his need to create new sounds eventually yielded a new solo EP in December 2017. Continue reading
It’s not immediately clear what (or, indeed, whom) “Brett Pop” is, but it’s obviously really important to this group of musicians from Bremen. Immersing themselves in a retro, cartoonish world, Best Boys Electric are out for fun. Sure, music can be deep and cerebral, but that’s not so much a focus here, as these guys set out to stoke up good times throughout this EP.
Back in 2014, Scandinavian alt-pop band Rooni released their ‘Pilot‘ EP, an enjoyable mixed bag of indie and power pop tunes that very much filled the whole left by The Wannadies. Better than that, a stand-alone single ‘Ambulance’ delivered three minutes of power pop perfection.
Over the next few years, the band kept a relatively low profile but released a few enjoyable singles, including a tribute to Kiss legend Paul Stanley.
After over two decades in the business, Italian garage rock/power pop band The Peawees have created more than a musical legacy. Their 2018 LP ‘Moving Target’ provided an excellent insight into the band’s style – a great listen for anyone unfamiliar with the band – delivering great hook after great hook. A tribute to Phil Spector on the suitably titled ‘Phil Spector’ provided an album highlight on a track big on retro riffs and even bigger on sleigh bells.
A new track, ‘You Don’t Know Me’ adds further to the band’s legacy with a three minute, guitar driven blaster that combines the more commercial feel of early 90s Social Distortion with the chorus thrills of Gaslight Anthem, all wrapped up in something that pays homage to ‘I Fought The Law’.