A musician, songwriter and producer, Phil Thornalley will be familiar to most for his brief stint with The Cure in 1983. His other credits include production work for Natalie Imbruglia and Bryan Adams. While not one of the music world’s most obvious faces, he’s worked within the industry since the late 70s. Taking the idea to create “a lost seventies classic”, his Astral Drive project is a world away from many of the musicians he’s been associated with previously. The material within is rich and densely layered; a work completely immersed in studio techniques. Its eleven songs draw influence from a lot of great long players released in the decade of brown and orange, and occasionally, influence crosses a line into…loving plagiarism, but the results are guaranteed to thrill fans of the style.
In 2016, J Eastman and the Drunk Uncles – a bar band from Minneapolis with an Uncle Tupelo obsession – released ‘No Capo Required’, a rough and ready EP that was as much a gutsy homage to their musical heroes as a no-frills love letter to musical fun. Not all good music has to be perfect and the Uncles seemed keen to champion that message. Two years on, the follow up ‘Pleasing Some of The People…’ keeps a firm hold on their slightly sloppy but incredibly gung ho style, but trades in some of the more rootsy elements for a tough but not always entirely tuneful power pop edge. Put it this way: with mid-period Replacements as part of the blueprint, you can’t help but hear more than a trace of the best music that sprang from their geographical roots on parts of this release.
Power pop legend Matthew Sweet will be trekking across the US this Summer to promote his new album ‘Tomorrow’s Daughter’. All confirmed shows are listed below and tickets are available now.
Kurt Baker is a very prolific musician and songwriter. In the six year stretch between 2012 and Easter 2018, whether solo or part of a band, he’s released the equivalent of at least two albums per year. Against the odds, most of the material has been great.
Relocating from the US to Spain in 2013, Kurt formed the Kurt Baker Combo, a band who would ultimately inject a little more of a garage rock ethic into his gift for a power pop hook. Their first record, 2016’s ‘In Orbit’, was a little fuzzier than expected and took a bit more getting into than any of Baker’s earlier works, but still carried great choruses and a fiery energy throughout. Working to a similar formula, the Combo’s 2018 record ‘Let’s Go Wild!’, if anything, is even fuzzier. Given the rate Baker has released records, it was only a matter of time before one of his albums showed a couple of flaws. This is that record. In terms of production, some of the shinier power pop elements are absorbed by dense guitars and a world of vocal filters that sometimes make the material a little more difficult to process.
Mark Lane’s fourth album ‘New Memory’ continues the Californian singer-songwriter’s voyage down a rabbit hole of retro pop. So much so, that it’s hard to work out whether its title is meant to be ironic. These ten songs do not so much create things that’ll eventually become a new memory as delve into old musical memories and stir them up. To say that Lane’s work is often the sum of its many influences would be an understatement, but there’s no avoiding the fact that – assuming you like retro pop/rock with a heavy 70s bias – ‘New Memory’ is a thoroughly enjoyable record.