Based in London, The Bloody Mallard mixes metal riffs with post rock ideas, while occasional elements of dark psychedelia inform a broad and progressive instrumental sound.
2018 was a landmark year for UK art rockers The Fierce And The Dead. The release of their third full length album really caught the imaginations of those at Prog magazine and their readership. Always progressive rather than prog, TFATD really branched out on that record. Some of its material (‘Truck’,’48K’) showed the band in a slightly heavier mood than before, while other bits seemed more commercial…without actually being commercial, if that makes sense. Whatever, the album and its subsequent coverage found the band in a position of strength. With an army of new fans, they could now legitimately call themselves a cult band.
The lead up to ‘The Euphoric’s release was first documented on ‘Field Recordings’, a live album recorded in 2016 at the second Rambin’ Man Fair in the UK. This second live release captures the band a year later at Rosfest 2017 during a rare visit to the US. But…with not that much time since ‘Field Music’, is there any real need for a second live release?
The Fierce And The Dead have had a great couple of years. Interest in their third album ‘The Euphoric’ was far greater than expected and higher profile live shows have really seen their fanbase grow. At Real Gone, we’ve been fans of the arty instrumental band’s work for some time, so the opportunity to catch up with Matt Stevens (guitar/loops) and Kev Feazey (bass) was something we couldn’t miss. With the release of a new live album just around the corner, they had a lot to say…
Becoming The Lion was originally conceived as an instrumental vehicle for one man’s musical talents. That man, Ross Blomgren self-released ‘Ghosts of a Fallen Soldier’ in 2010. A recording which explored various post-rock and alternative-based moods, it showed off some great musical ideas, despite a few elements that gave away its low budget origins. Most of the music veered towards a solid post-rock sound, but an over-reliance on drum programming and droning keys, in the main, meant things didn’t always turn out quite as well as they could have. Over the next few years, Blomgren released further albums, often opting for a more metal oriented sound and sometimes aiming his music at more of a progressive metal loving audience; each one a step further towards the great record that Blomgren was so clearly capable of making.
Combining elements of post-rock with a little shoegaze and a world of neo-pychedelia, Oslo’s Mayflower Madame may seem retro, but with fellow Norwegians Spielbergs mining similarly swirling and dense sounds, their sound is also hugely contemporary.
In May 2018, they unveiled their ‘Premonition’ EP and as part of the ongoing promotion for that release, they’ve now shared a new video for ‘Before I Fall’, which you can now watch in full below.