In a relatively short time, Fleetwood Mac had marked their place at the top of the British blues table. With two excellent albums (1967’s ‘Fleetwood Mac’ and 1968’s ‘Mr. Wonderful’) and an indispensable compilation (‘The Pious Bird of Good Omen’, 1969), they showed an ability to take on the genre’s best. In Peter Green, they had a fantastic vocalist and a new guitar hero. Their third album ‘Then Play On’ (released in September 1969) even showed the band branching away from the blues and its mixed bag of styles further cemented Green’s place among the new guitar gods.
What’s more, a run of non-album singles issued throughout ’69 reinforced any belief that this still young band had all the makings one that might just have some longevity. An easy listening instrumental ‘Albatross’ showcased the softer side of Green’s guitar work and appealed to a broader spectrum of listeners, becoming one of their most enduring hits The double whammy of 1969’s ‘Oh Well (Parts 1 & 2)’ paired angry blues with an unexpected foray into something that was closer to Ennio Morricone than JB Lenoir or Elmore James; an aching ballad ‘Man of the World’ showed how Green’s voice was easily capable of conveying a gentle anguish. A trio of more disparate singles you’d be hard pressed to find and yet all were chart smashes, each hitting the #2 spot in the UK.