On the surface, it would seem that the British blues boom has been well served by compilation discs over the years. On closer inspection, that hasn’t really been the case at all: the best anthologies tend to be label specific (Blue Horizon’s ‘The Blue Horizon Story’, Decca’s ‘The Blues Scene’ and Immediate’s ‘Blues Anytime’ series, later repackaged as an excellent four CD set by Charly Records). The bulk of the rest seem too concerned with repackaging bits of ‘Blues Anytime’ with cheap, inferior packaging. There hasn’t ever really been a decent compilation covering a lot of ground from different labels, or one unafraid to dig a little deeper beyond the usual suspects.
In a relatively short time, Fleetwood Mac had marked their place at the top of the British blues table. With two excellent albums (1967’s ‘Fleetwood Mac’ and 1968’s ‘Mr. Wonderful’) and an indispensable compilation (‘The Pious Bird of Good Omen’, 1969), they showed an ability to take on the genre’s best. In Peter Green, they had a fantastic vocalist and a new guitar hero. Their third album ‘Then Play On’ (released in September 1969) even showed the band branching away from the blues and its mixed bag of styles further cemented Green’s place among the new guitar gods.
What’s more, a run of non-album singles issued throughout ’69 reinforced any belief that this still young band had all the makings one that might just have some longevity. An easy listening instrumental ‘Albatross’ showcased the softer side of Green’s guitar work and appealed to a broader spectrum of listeners, becoming one of their most enduring hits The double whammy of 1969’s ‘Oh Well (Parts 1 & 2)’ paired angry blues with an unexpected foray into something that was closer to Ennio Morricone than JB Lenoir or Elmore James; an aching ballad ‘Man of the World’ showed how Green’s voice was easily capable of conveying a gentle anguish. A trio of more disparate singles you’d be hard pressed to find and yet all were chart smashes, each hitting the #2 spot in the UK.