Based in London, The Bloody Mallard mixes metal riffs with post rock ideas, while occasional elements of dark psychedelia inform a broad and progressive instrumental sound.
If you’ve followed the US power pop and pop-punk scenes over the past five years, you’ll know that Justine and The Unclean have released two incredibly catchy albums.
In June 2020, Justine Covault and her band of Boston musicians will release their third long player ‘Every Bone That Breaks’. Almost six months in advance, the band have just issued a two track digital single. Not only will this keep fans entertained until the album appears, but it also teases with a much tougher musical direction.
Charlotte Carpenter is no stranger to Christmas songs – in 2018, she recorded a gloriously downbeat version of Mariah Carey’s ‘All I Want For Christmas Is You’. Nor is she a stranger to reflective, semi-autobiographical works, as evidenced in her own ‘Burn’ and ‘Shelter’.
With her digital single ‘Another Year’, both elements collide as Charlotte reflects upon her place in the world in the build up to Christmas 2019. Continue reading
In October 2019, US dream pop duo Cathedral Bells gave fans a taste of their upcoming album when they released a new single ‘Ephemeral’. The track gave everyone everything they’d hoped for with a hazy throwback to 90s dreampop and shoegaze, all the while still showcasing the band’s gift for a vaguely gothy melody.
Paper Tigers’ debut single ‘Gucci Smiles’ is a monster. In a little over three minutes, the Northern Irish rockers unveil a range of great hard rock sounds. Between a hard driving verse where the drums come with a near relentless attack, through to a massive chorus where melodies are at the forefront, the band seem to constantly pull between aggression and melody.