Becoming The Lion was originally conceived as an instrumental vehicle for one man’s musical talents. That man, Ross Blomgren self-released ‘Ghosts of a Fallen Soldier’ in 2010. A recording which explored various post-rock and alternative-based moods, it showed off some great musical ideas, despite a few elements that gave away its low budget origins. Most of the music veered towards a solid post-rock sound, but an over-reliance on drum programming and droning keys, in the main, meant things didn’t always turn out quite as well as they could have. Over the next few years, Blomgren released further albums, often opting for a more metal oriented sound and sometimes aiming his music at more of a progressive metal loving audience; each one a step further towards the great record that Blomgren was so clearly capable of making.
Day 4 of Cherry Red Records’ “12 Days of Christmas” flash sale is a genuine winner for readers and followers of Real Gone as HNE Recordings – Cherry Red’s classic rock and metal subsidery offers sizable discounts on various unmissable items.
When the Graham Bonnet Band’s 2017 tour reached Japan, something unexpected happened. In addition to the standard band shows promoting the then current album ‘The Book‘, three more shows took place where bassist Beth-Ami Heavenstone stood aside and ex-Alcatrazz man Gary Shea performed. Those shows, performed under the Alcatrazz name, celebrated that band’s short career with its many hits and misses. Almost as an important a time in Bonnet’s past as his all too short-lived tenure with Rainbow, Alcatrazz remain a much loved band – especially in Japan – so it was only right the shows were recorded for later release.
This 2018 EP brings together four previously unreleased tracks by two doom metal bands bonded by geography and united in riffs. Comprising works by two Atlanta based bands, ‘Rope Enough For Two’ features three ridiculously heavy workouts by Dayglo Mourning coupled with a lengthy and almost impenetrable epic from Bludy Gyres.
The members of Across The Burning Sky had been individually active on the death metal scene for some two decades at the time of this album’s release, but have only been a working unit for a very short time. It took just two years from forming to have settled upon a semi-accessible brand of death metal with which they figured would best represent them on their debut LP, ‘The End Is Near’. Although billed as “melodic death metal”, to be honest, this isn’t much more melodic than a lot of twenty first century death metal. The genre has come along leaps and bounds since 1988, so dropping clean lead guitars in between the huge growls and a barrage of pneumatics doesn’t make too much difference, especially if you’re not of an extreme listening persuasion. However, there are times when the appeal of the band’s angry and brutal stylings come across very well – especially when slowing down – so maybe, just maybe, this album will appeal to a certain listening demographic…“melodic” or otherwise.