UK post-rock band The Fierce And The Dead have made some fine recordings over the past few years, but as the fans know, it’s in the live setting they really start making their most impressive noises. Two live recordings sourced from festivals are available already (2017’s ‘Field Recordings’ and 2019’s fantastic ‘Live USA 17’), but on 1st May 2020, the band will complete a live trilogy with a download only release, ‘Show Me Devon: Live At Kozfest’.
Guitarist Matt Stevens calls the recording a record of “…a very special gig.”
In November 2019, Real Gone reached its ten year anniversary of being online. To celebrate, we shared thoughts on ten albums we loved from that decade. That list came with two strict rules beyond becoming favourites: each year had to be represented by one album and each album had to in some way have helped our site to become more established.
As we reach the end of the year, it’s time to look back more broadly on some of our favourite albums of the ’10s; albums that have kept us listening for pleasure long after the reviews and coverage have been completed. If you’re a regular visitor to Real Gone, lots of these names will be familiar by now, but we hope this time for looking back helps to reconnect with a couple of old favourites, or find you a new one somewhere along the way. [Full reviews & streams can be found by clicking on the individual titles.]
2018 was a landmark year for UK art rockers The Fierce And The Dead. The release of their third full length album really caught the imaginations of those at Prog magazine and their readership. Always progressive rather than prog, TFATD really branched out on that record. Some of its material (‘Truck’,’48K’) showed the band in a slightly heavier mood than before, while other bits seemed more commercial…without actually being commercial, if that makes sense. Whatever, the album and its subsequent coverage found the band in a position of strength. With an army of new fans, they could now legitimately call themselves a cult band.
The lead up to ‘The Euphoric’s release was first documented on ‘Field Recordings’, a live album recorded in 2016 at the second Rambin’ Man Fair in the UK. This second live release captures the band a year later at Rosfest 2017 during a rare visit to the US. But…with not that much time since ‘Field Music’, is there any real need for a second live release?
The Fierce And The Dead have had a great couple of years. Interest in their third album ‘The Euphoric’ was far greater than expected and higher profile live shows have really seen their fanbase grow. At Real Gone, we’ve been fans of the arty instrumental band’s work for some time, so the opportunity to catch up with Matt Stevens (guitar/loops) and Kev Feazey (bass) was something we couldn’t miss. With the release of a new live album just around the corner, they had a lot to say…
2018 has really been a fantastic year for The Fierce And The Dead. Their third full length release ‘The Euphoric’ has received great reviews across the internet, been championed by Prog magazine and has led to the band playing higher profile gigs. In the previous six months they’ve played their biggest ever headline show and shared a bill with System 7 and Hawkwind. By now, they’ve earned the right to be genuinely considered a cult band.
Hawkwind invited the band as support for a second time in the summer. While Hawkwind fans, on the surface, seem to be the kind of people who know what they like, the band obviously feel The Fierce And The Dead are interesting enough to appeal to their loyal audience. While – as is so often the case – the venue isn’t exactly packed by the time Matt Stevens and company get ready to play, those in attendance know the next half an hour will be…interesting.