Check out ‘Truck’, the new track from The Fierce And The Dead

The last couple of years have really seen British art-rock band The Fierce And The Dead gathering momentum.  Their ‘Magnet’ EP contained some of their best work to date and also appeared on the Prog stage at the Ramblin’ Man Fair.

Quite understandably, there’s a fair amount of buzz surrounding their upcoming album, ‘The Euphoric’.   The album’s launch show at The Black Heart in London (May 18th) is the band’s biggest London headline show to date…and the forthcoming album promises some of their biggest sounds.

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STUART MASTERS – Mystic Blue & The Black Balloon

mystic blue and the black balloonA virtuoso of the acoustic guitar, Stuart Masters creates a sound that’s been likened to Nick Drake and Syd Barrett. It seems odd that so many artistes would be compared to Barrett, given that his rather scant post-Floyd output borders on the disturbing. Aside from just about managing to string a few chords together, Barrett could all too often be heard mumbling through nonsensical lyrics he seems to only barely remember. This fourth release from Masters, the wonderful ‘Mystic Blue & The Black Balloon’, is nothing like Syd. It’s sometimes possible to hear why comparisons have been made to Drake, however, for Stuart is very fond of a finger picked style and almost pastoral moods – but the combination of his dexterous playing, loops and layered approach to most things is sometimes closer in spirit to another guitarist…and one from more recent times. It might be fair to say that fans of Matt Stevens will find an instant kinship with Masters and his complex soundscapes.

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THE FIERCE AND THE DEAD – Magnet EP

TFATDPost-rock quartet The Fierce And The Dead first captured the attention of listeners the artier end of the rock spectrum with their 2011 full length ‘If It Carries On Like This We Are Moving To Morecambe’.  While the intricacy of the album’s music inevitably found the band gaining the “prog” tag, the instrumental wig-outs pulled far more from various alternative rock sources, with elements of noise rock, often making their love of Hüsker Dü/Minutemen et al fairly obvious.  The following album, 2013’s ‘Spooky Action’ was potentially even more bonkers, showcasing four very talented musicians working their frenzied guts across a variety of angular rock sounds, with most of the material sharpened by brevity.  With no filler, ‘Spooky Action’ is potentially TFATD’s masterwork; in addition to the world of looped guitars and mind bending, gleeful complexities, Kevin Feazey’s bass sound – particularly on ‘I Like It, I’m Into It’ – comes across with a genuine force.  It is a record that anyone interested in quirky and thoughtful musicianship should lend an ear.

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