Led Zeppelin: 50th Anniversary Releases – What, Exactly, Does Jimmy Page Have Planned?

In January 2018, it was announced that Led Zeppelin’s posthumous live release ‘How The West Was Won’ was to be given a reissue to coincide with the band’s 50th anniversary. Recorded at two US shows in 1972 and then spliced together to give the feeling of experiencing a complete show, it has rarely been cited as a fan favourite. Nevertheless, that’s not stopped it being re-issued on CD and also given a blu-ray and (prohibitively expensive) vinyl release for the first time.

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The Great 70s Project: 1975

At the midpoint of the decade, 1974 appeared to have no definite dominant genres, but that allowed for a very varied singles chart.  1975 very much follows that trend, but pushes some of the focus back to great albums.

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The Great 70s Project: 1971

Welcome to a look back at some of our favourite music from 1971. In some ways, it seems the perfect continuation of 1970, with the hard rock pioneers releasing some of the best albums of the careers.

Looking elsewhere, though, things are perhaps more interesting…

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The Great Seventies Project: 1970

In March 2017, we created a playlist of some of our favourite 70s tunes. In an effort to shake up our spare time listening, the playlist included none of the usual stapes. There were no tracks by Deep Purple, Black Sabbath, Thin Lizzy or Led Zeppelin and yet we still managed to create a golden listening experience spanning several hours.

The experience got us thinking. What if we were to create extensive playlists of music we liked – or maybe brought back fond memories – for each year of the decade? Would one year stand out above all others? With this remit and using only two or three tracks per chosen album (maybe stretching to one extra in the instance of a double platter), we set to work.

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Love, Loss and The Eternal Soundtrack

At an unspecific point in 1979, my dad arrived home from work carrying a long playing record. It turned out to be the new Police album.  At this point, ‘Message In a Bottle’ had been all over the radio and I knew I liked this new music. My mum, on the other hand did not have quite the same enthusiasm; she’s a bit put out that this does not have ‘Roxanne’ on it. Presumably, the album – like others – had been purchased at Barnaby’s, a record shop (no longer there) very near my dad’s then place of employment; a giant tin shed in which he worked with dangerous acidic chemicals and little regard for health and safety. That Police album (‘Reggatta De Blanc’) got played a lot. If I think hard, I can still see Dad sitting by his Fidelity stereo system lifting the needle onto the record and playing the title track over and over and I remember thinking how fitting it was that the word emblazoned on the front looked a bit like the word fiddle. That piece of music must have spoken to him:  decades later, he would still attract my attention by calling my name to the tune of that track.

The sight of my dad coming home with new music in this way was not entirely uncommon.

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