GODSTICKS – Inescapable

The sound of the third Godsticks album came as a bit of a surprise. At some point between the release of their second album ‘The Envisage Conundrum’ and the writing of 2015’s ‘Emergence’, things took a heavier turn. It wasn’t necessarily for the better. What had once been a fairly inventive prog band with a few harder moments was now a full on prog metal band. The lion’s share of ‘Emergence’ was rather…dull. Still, some fans seemed to take to the more aggressive sound and it undoubtedly attracted a few new ears. For better or worse, at least this was a prog band actually progressing.

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THE PINEAPPLE THIEF – Dissolution

For a few years, it seemed as if Bruce Soord’s Pineapple Thief would always be a genuine underground band. Then, with the release of ‘Tightly Unwound’ gaining favourable press in 2008 and 2010’s ‘Someone Here Is Missing’ being compared to Porcupine Tree, the band made a huge leap forward in the world of cult prog rock. From then on, each release has been eagerly awaited by fans and critics alike and The Pineapple Thief have truly carved themselves a place in the annals of thoughtful rock music.

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Watch ‘Exit Suite’, the new video from Gazpacho

Norwegian progressive rock band Gazpacho are back! It’s been a long time since the release of their dark opus ‘Molok’, but the past three years have been spent creating new music and touring.

The first fruits of that new music can now be heard with ‘Exit Suite’ and its accompanying video, which you can stream in full below.

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AIRBAG – Disconnected

airbag disconnected lpIn 2013, Norwegian prog rockers Airbag released their critically acclaimed third album ‘The Greatest Show On Earth’. Naturally, in some quarters of proggy fandom, people got excited. In some ways they were right enough to do so, since the album contained some fine music; it was all very well played and excellently produced. In other ways, it was hard to understand the hype. For all of Airbag’s obvious talents, the music all too often sounded as if it had been plagiarised from ‘Dark Side of the Moon’, ‘Wish You Were Here’ and ‘The Division Bell’. There came a point – fairly quickly, too – where you could legitimately ask why you’d spend quality listening time with music derived from such classics in a very obvious way, when you could put on a Floyd disc and hear it all done properly?

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