Three years on from ‘Snake Oil Superscience’, Brooklyn’s Mad Doctors mean business on their second full length ‘No Waves, Just Sharks’. On this album, the band truly exploit their b-movie and pulp fiction interests, not only in the artwork, but also by enlisting various friends to drop various spoken word passages between the tracks, giving the impression they’ve mined the vaults for unknown media samples. In some ways, this is better than using actual samples, in that the clips are tailor made and – perhaps, rather more importantly in this case – it also saves the band and label time and money on clearance rights. Fans of bands within the King Pizza stable might even recognise a few of the voices as belonging to Laura Gwynn and Riley Zeisig (Sirs&Madams) and the whole of label-mates The Rizzos.
Coach N Commando are a two-piece act that are almost the dictionary definition of the word niche. These self-styled country punks create a raw sound that sounds like the deformed mutation of Lux Interior, Reverend Horton Heat and a toothless bluegrass hobo. Their 2016 release – their first for Brooklyn’s King Pizza label – is both intricate and ferocious; ugly and smart. Long standing fans will recognise a few tracks reworked from previous records, but rest assured that the re-recordings are an improvement at every turn. The eight songs that make up ‘FBP!K!K!’ play like disastrous musical travelogues retold via a telegram from a previous generation. With bad motels, dirt roads and broken relationships at the core, it’s like everything and nothing you’d expect from such an unholy alliance of sounds.
Forget the overhyped Record Store Day, there’s only one piece of vinyl you need in April 2016.
Brooklyn favourites The Mad Doctors and Sun Voyager have teamed up and issued two new tracks on a split 7″ release. The release marks the eve of yet another spell on the road for The Docs, while for Sun Voyager, it should get those ears ready for the promised full length waiting somewhere in the wings.
In 2014, as one of the first batch of releases issued by cassette specialists King Pizza Records, Brooklyn’s ¡Vamanos! dropped a handful of tracks that truly set the pace with regard to two-man garage blues noise-making. The five tracks demonstrated a powerhouse performance, culminating with perhaps the filthiest rendition of ‘Death Letter’ committed to tape. The live shows, of course, were even more intense – “disgusting”, even, to quote their label boss. At the beginning of 2016, Alex (g/v) and Tyler (d/v) returned to Danny Rose’s studio – the location of prior recordings – to try and capture an even rawer and more intense representation of the band.
It’s been a proper mixed bag for music this year. In 2014, Real Gone had a definite metal bias, to the point where we actually managed to issue an album length sampler of purely metal based acts.
This year, there has been metal, but more of the best music coming our way has been even more of a power pop or indie variety. That, of course, is reflected in our sixth freebie.