THE MAD DOCTORS – RIP EP

After the release of The Mad Doctors’ second album (the excellent ‘No Waves, Just Sharks‘), the Brooklyn garage rockers released a few standalone tracks that helped cement their cult status. Nearer the end of that year, their ‘Yeungling Malmsteen’ showed off their uglier side on a number loaded with buzzsaw guitar riffs and a world of distortion; 2018’s less than subtle ‘Fuck Sean Hannity’ took a rare detour into the political realm where the band sounded angrier than ever and the dark and bluesy ‘Sister Act II…’ presented some great basslines mixed with an almost space-rock trippiness.

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SUN VOYAGER – Seismic Vibes

For those who’ve not been paying attention, fuzz rock troupe Sun Voyager have been lurking on the Brooklyn underground scene since 2012. After a few enjoyable EPs, ‘Seismic Vibes’ – their first full length LP – really capitalises on their previous musical ideas, presenting a world of haze and stoner based riffs with not only more confidence but also a better production value than they’ve ever had. Those who think “better production” could also mean more commercial should fear not, though, since everything that was great about these mighty Sun lords before remains just as great; it’s just that this time around, the material has more warmth and depth. It’s interesting they’ve not taken advantage of the longer playing time and experimented with longer songs, but just one or two listens to this album should be enough to explain why: there’s definitely something about this material that is more effective in short bursts.

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NARCOS FAMILY BAND – Pink Blues EP

Labelled “the heaviest band you’ve never heard” by the DyingScene website, Narcos Family Band already have a reputation to live up to. Since they’re not a strictly a metal band (or better yet, a doom metal band), they’d have a hard job being the heaviest all the while bands like Heriot and Mammoth Weed Wizard Bastard have plied their trade, but they’re definitely bloody raucous…and if “bloody raucous” is one of your staples when it comes to discovering new music, then ‘Pink Blues’ should definitely be sought.

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THE MAD DOCTORS – No Waves, Just Sharks

Three years on from ‘Snake Oil Superscience’, Brooklyn’s Mad Doctors mean business on their second full length ‘No Waves, Just Sharks’. On this album, the band truly exploit their b-movie and pulp fiction interests, not only in the artwork, but also by enlisting various friends to drop various spoken word passages between the tracks, giving the impression they’ve mined the vaults for unknown media samples. In some ways, this is better than using actual samples, in that the clips are tailor made and – perhaps, rather more importantly in this case – it also saves the band and label time and money on clearance rights. Fans of bands within the King Pizza stable might even recognise a few of the voices as belonging to Laura Gwynn and Riley Zeisig (Sirs&Madams) and the whole of label-mates The Rizzos.

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