In 2017, Salvation Jayne released ‘Moves That Make The Record Skip‘, an EP that captured a selection of enjoyable (if not particularly original) hard rock tunes with a bluesy slant. Between some smart slide playing and a solid lead vocal from Chess Smith, Salvation Jayne appeared to be one of the better blues-inflected hard rock bands on the UK circuit.
In 2016, Allfather unleashed ‘Bless The Earth With Fire’, a hulking brute of an album that valued riffs over chorus hooks, resulting in a record that presented the very best in sludge metal recorded on a DIY budget. Extensive gigging followed, including bills shared with the mighty Morag Tong. Over the next eighteen months, the Kentish band drove big riffs into peoples’ skulls from small stages whilst simultaneously teasing about working on new studio material.
Sludge metal fiends Allfather are set to release a new album on September 8th 2018. ‘And All Will Be Desolation’ is the Kentish band’s first full length release since 2016’s ‘Bless The Earth With Fire’.
If you can’t wait until then, you can get a taste of the new record from their new digital single ‘Black Triangle’.
Formed in 2014, Allfather came together over a shared interest of “vikings, anti-fascism and crisps”. It’s good to know the band have a sense of humour, because their 2016 release ‘Bless The Earth With Fire’ is not one to be taken lightly. Its six songs – if, indeed, they can be called songs, rather than an extended collection of devastating riffs – are heavy, dense and sludgy in equal measure. In short, if you’re a total riff junkie and value the weight and presence of a riff over almost everything else, you’ve come to the right place.
They’ve built a loyal following on the live circuit and have put in some hard yards at festivals. They can count ex-Clash drummer Nicky “Topper” Headon and sometime AC/DC tub-thumper Chris Slade among their fans. However, in the grand scheme of things, UK rockers Salvation Jayne aren’t so well known at the time of their EP release ‘Moves That Make The Record Skip’. This probably says something about the huge amount of music we now have at our disposal rather than the band’s actual talent, since had this EP been released back in the early 90s when The Black Crowes and Kiss of The Gypsy were making waves, you certainly would’ve heard Tommy Vance and Fluff Freeman talking about these guys on a Friday and Saturday night in radioland.