In terms of pop, 1982 was a strong year: Madness took a further step towards songwriting sophistication with their album ‘The Rise & Fall’, Prince made a huge breakthrough with his ‘1999’ double platter of much filthiness and Phil Collins showed us that the previous year’s ‘Face Value’ wasn’t just a one-off solo success when his “tricky second album” spawned a #1 hit single and a few of his best solo tunes.
From an historical perspective, Judie Tzuke’s ‘Road Noise: The Official Bootleg’ is an interesting proposition. At the time of its original release in 1982, the double live album format had been dominated by rock bands – it was rare that a contemporary pop artist or singer songwriter would bother with such a release. Also, its extended format had almost become yesterdays news. In a musical landscape populated by synth pop bands and the birth of the New Romantics, the 7” single had once again become king, much as it had been in the early to mid sixties. The decision for Tzuke to release a double platter of live material in the Autumn of ’82 certainly went against the grain.
Looking back, the three years between the disco and pop oriented sounds of 1976 and the majestic jumble of influences that fill 1979 are a huge gulf. By 1979, disco was on it’s last legs, punk had firmly given airtime to what we now think of as new wave and the pop music of the day was about as strong as it had been since 1975.