Although they’ve only been active for a short time, Sun Silva have already been championed by the underground music press and been featured on Radio 1 as part of their ‘Introducing’ strand.
On their new single, indie-pop act The Arthur Brothers have thrown everything they know into a blender and hoped for the best. The results are fun, belwildering, catchy and annoying all at once.
The track features a few great pop hooks and some even better multi-tracked vocals on loan from Brian Wilson via Jellyfish and Eels, serves those with some solid indie jangle and even prefaces them with a near spoken vocal that’ll surely divide opinion. It could’ve been a mess.
In the summer of 2018, singer-songwriter Fred Abong released his ‘Homeless’ EP, effectively returning him to the world of recording and live performance. In support of the disc, Fred made extensive appearances across the UK with Kristin Hersh, including a very memorable show at Ramsgate Music Hall on a very hot Sunday night.
Unleashed into the wild on the eve of a second UK tour with Kristin, ‘Pulsing’ in many ways, is a logical continuation of ‘Homeless’. While half the EP takes an electric stance, fans of Abong’s previous release will find an immediate kinship in its deliberately introspective vibe.
A dreampop and shoegaze influenced project helmed by Matt Messore (previously of Dear Tracks), Cathedral Bells’ debut EP isn’t exactly shy about recycling musical influences. With strong elements of the more commercial Jesus & Mary Chain, the synthier and more cinematic aspects taken from The Cure and more than a trace of Pale Saints, its six tracks play like the greatest EP not to be released by 4AD Records in 1990. When influences and moods are recycled as well as they are here, originality is more than welcome to take a back seat as Cathedral Bells join Norway’s Spielbergs in heading up a full-on 90s revival.
A comprehensive five CD anthology telling the story of independent music from Scotland between 1977 and 1989, ‘Big Gold Dreams’ is an interesting box set. From the no-frills and DIY ethics of punk through to lavish alternative pop, Scotland had more than enough talent to make a huge mark upon music in the 70s and 80s and the country’s greatest bands were every bit as good – and better – than many of the hugely celebrated acts from Manchester and the south. The many independent labels had as much to give the world in terms of underground talent and beyond, so in lots of ways, ‘Big Gold Dreams’ isn’t so much a box set, an anthology or collection as a celebration.
For admirers of Cherry Red’s 2018 power pop and new wave anthology ‘Harmony In My Head’ and Edsel’s Gary Crowley curated box set of punk curios, the first two discs of this five disc set will alone be worth the purchase. Covering the period between 1977 and 1982, as you’d expect, these discs have more than a decent amount of punky fare and the nature of the source material means that various obscurities are released on CD for the very first time.