It’s only about twenty past three in the afternoon, but the crowd at the Forum have already experienced superb sets by Mark Morriss and Chris Helme. For so early in the day, the venue had been surprisingly full for the Seahorses and Bluetones frontmen. At this point, it’s less full than it had been, but even the most enthusiastic Britpop fans have to go and eat! It’s a shame that so many have chosen to do so just as Salad are about to appear, but looking at the whole day’s events, Salad are the least traditionally “Britpop” of the day’s acts – only really considered Britpop by virtue of timing. That, and the fact that they’ve always seemed to be one of those “Marmite” bands, so in some ways, the thinner crowd sort of makes sense. Many of those still in the venue have almost certainly come to see Salad specifically and are ready to give their all.
Making any kind of successful comeback after a long absence can be a tricky prospect. Time can be cruel. All too often, we’ve encountered bands returning to the spotlight after a long absence and wished they’d left their legacy as a rose-tinted memory. For British baroque pop band My Life Story – a cult band from the fringes of Britpop – a full time return to touring in 2012 didn’t just remind the old fans how good they were back at their 90s peak, but high profile gigs at the Star Shaped Festival and a few other places helped to bring them a whole bunch of new supporters.
Following 2018’s ironically titled ‘Greatest Hits’, “sparkling gloom” band Green Piece’s 2019 EP ‘Whatever’ displays a slacker’s sense of humour contrasted with some some pretty tough power pop chops. One of the best examples of their sound to date, ‘Stacy’s Dad’ openly mocks Fountains of Wayne, at least on the surface – and fans of that band will love these guys – but scratching a little deeper, it’s a track that brings together broader influences.
Before exploring any of the music on this release, let’s get one of the only negatives out of the way first: Plastic is not a very good band name. It’s a nightmare for search engine effectiveness and not especially memorable. Thankfully, Plastic are a great band and their 2019 EP ‘Drink Sensibly’ is an aural tour-de-force that fuses grungy elements with a punky sharpness, resulting in three tracks that sometimes sound like the work of a band fit to burst.
Scandinavian indie band Spielbergs released one of the best albums of 2018 with their full length debut ‘This Is Not The End’. An album drenched in 90s influences, its retro charm is deserving of a wider audience. [Read a full review here].
In September, they return to UK shores for their own headline tour. All of the confirmed dates – along with other details – can be found in the press release below.