Aside from John Philip’s 1987 LP ‘Wait For The Night’, which isn’t coming out on CD in a million years, there are few major label melodic rock releases more deserving of a reissue as Lou Gramm’s two solo discs for Atlantic Records.
‘Ready Or Not’ and ‘Long Hard Look’ were released in 1987 and 1989 respectively, but were always hard to find on CD in the UK. By the early 90s, they were only available as US imports sourced from clearance warehouses and “cut-out” bins. Even in the US, despite ‘Ready Or Not’ spawning a couple of hit singles, neither album was a roaring success, which seemed surprising after Lou’s previous albums with Foreigner (1982’s ‘4’ and 1984’s ‘Agent Provocateur’) had both gone Platinum.
When The Almighty opened the Donington Monsters of Rock Festival in 1992, they sounded like a band ready to take on the world. Their second album, 1991’s ‘Soul Destruction’ had been hugely popular among UK rock fans and despite a key line-up change that saw guitarist Tantrum replaced by Alice Cooper sideman Pete Friesen, their third album – the soon to be released ‘Powertrippin’ – further showcased a band that seemed absolutely unshakable.
…And indeed, upon its release, the reviews for ‘Powertrippin’ were hugely positive. With its heavier stance and some brilliantly crafted songs, it quickly became a fan favourite. Peaking at #5 on the UK album chart, it also became The Almighty’s biggest commercial success. It clearly wasn’t successful enough for the label bigwigs, though, as Polydor Records dropped the band the following year.
In the late 60’s, singer-songwriter Graham Bonnet scored a massive hit single with cover of the Bee Gees’ ‘Only One Woman’ as part of pop duo The Marbles. Like so many pop acts of the era, The Marbles’ time at the top was brief. Neither of Marbles’ follow up singles or their album made anywhere near the same impact and they split soon after. Graham could’ve returned to his hometown of Skegness having at least briefly been a star, but realising he had more to give, he plugged on. He first made the move into recording advertising jingles as a means to pay bills, before releasing a couple more unsuccessful singles in the early 70s. Material for a solo album was recorded in 1974 but shelved for over forty years. After an appearance in the 1975 UK comedy film Three For All – starring his then partner Adrienne Posta – Bonnet finally made a step in a more positive direction career-wise when he signed a deal with the small Ring-O record label, with whom he released two full length albums, ‘Graham Bonnet’ (1977) and ‘No Bad Habits’ (1978).
For most people, Graham Bonnet will be best known for his brief stint as Rainbow vocalist between 1979 and 1980. Although he didn’t get to spend long as Ritchie Blackmore’s singer of choice, his talents drove two of the band’s biggest singles – ‘All Night Long’ (a UK #5 hit) and the brilliant radio staple ‘Since You Been Gone’ (UK #6) – and he also performed with Rainbow when they headlined the first Monsters of Rock Festival in August 1980. You could definitely make a case for him being the band’s best-known voice.
Bonnet’s career as a professional singer started over a decade earlier and he achieved a brief spell of fame as one half of pop duo The Marbles, whose ‘Only One Woman’ (an oft-overlooked UK top 5 hit from 1968) showcased a voice that would later become an instantly recognisable talent. Following The Marbles’ early demise, Graham embarked on a solo career, but as careers go, it was rather slow to get off the ground. In 1974, he recorded material for what was to be his first solo album, but the recordings were shelved at the last moment. These were subsequently believed lost until they turned up on a cassette four decades later. Most of these songs were issued digitally as ‘Private-i (The Archives, Vol. 1)’ in 2015, but given the age of the average Bonnet buff, a bunch of digital files would never suffice. Thankfully, the bulk of the material – plus bonus tracks – appeared on CD the following year. With its original title reinstated, Graham’s debut LP finally became a reality.
After leaving Uriah Heep in 1980, multi-instrumentalist Ken Hensley embarked upon an often overlooked solo career. On 27th March 2020, Cherry Red Records/HNE Records will release a five disc set collecting his extensive recordings made between 2012-2013.
The new set follows Cherry Red’s previous Hensley anthology (‘The Bronze Years’) and brings together two studio album, an acoustic live set and various live recordings made with Ken’s band Live Fire.