Not to be confused with the American AOR band fronted by Marcie Free in the late 80s, this twenty first century Signal play very ragged hardcore punk. The band’s rhythm section once comprised two thirds of the lo-fi garage punk combo The Meltaways and if you were ever a fan of that band, then Signal’s brash stance should very much appeal.
With no concessions to pop-oriented choruses, metallic breakdowns or obvious 90s skate elements, Boston’s Silver Screams play classic punk with hardcore edges. Their 2018 EP ‘Alive In The Afterlife’ is built from tough riffs that often champion the old-school approach which, coupled with a natural vocal and a huge amount of speed, results in a potential DIY classic.
Lots of bands claim to play hardcore punk, but quite often that means hardcore spliced with bits of metal and other genres that dilute the overall feel. On their 2017 EP ‘Toxic Care‘, Natterers genuinely meant hardcore, with buzzsaw riffs played at breakneck speed. Their only concession to any different style came via a few surf punk riffs, but since those were derived from the Dead Kennedys debut, even those had a shrill and unrelenting attitude that could only come from a hardcore perspective. Like a smack to the jaw, that EP was easily the best punk release of the year.
This October, Skindred’s annual Halloween party will take place at the Coventry Empire. Support will be provided by Ballsdeep and Last Hounds. All details regarding ‘Night of The Living Dred’ are in the below press release.
Nashville, Tennessee: home to country music, singer-songwriters by the million and a few notable power pop acts. Nashville, Tennessee: home to Bazookatooth, a lo-fi hardcore punk trio channelling the rawness of ‘Land Speed Record’ era Husker Du, the fierceness of early Dwarves and a whole world of attitude.