Like goats? Like intense grindcore influenced noise based out of electronica? This new video from Extreme Precautions might be right up your street! It’s so intense it doesn’t even have a name. You can watch the full clip and read the press release below.
Tag Archives: grindcore
STRUGGLE MANIFESTO – EP
When Napalm Death appeared on the metal scene, they sounded like very little that had come before. Sure, death metal had already begun to establish itself by the mid eighties, but the scene’s earliest acts – such as the most literally named Death – combined their brutal speed with fretboard assaulting lead breaks and other elements most closely associated with the thrash and speed metal of the day. Birmingham’s Napalm Death were different: they took that speed and aggression and distilled it to its absolutely purest – and often shortest – essence. With the speed of death metal, but the suckerpunch delivery of hardcore punk, they laid the foundations for what became grindcore. Their earliest works were so frantic and intense that even the original band only stayed together for one side of an album. That LP – 1987’s ‘Scum’ – remains a landmark for the extreme metal/punk subgenre; with its twenty eight tracks delivered in approximately thirty three minutes (a duration bulked out by the title track stretching beyond two minutes), the album was the aural equivalent of being smacked repeatedly with a brick.
Since those days, grindcore has remained a much-loved – albeit marginal – genre among fans of extreme metal. Few have surpassed ‘Scum’ for intensity; even Napalm Death themselves sounded like they were recycling by the time it came to recording a follow-up. On their debut EP, Poland’s Struggle Manifesto come close to re-igniting the sparks of excitement first delivered by ‘Scum’, the vinyl release’s five bursts of sound filling a lightning-fast 3:39, all wrapped up in a Catholic-baiting sleeve.
ABADDON INCARNATE – Pessimist
Abaddon Incarnate’s fifth album ‘Pessimist’ is a monster. Their first release for Candlelight Records (home to Corrosion of Conformity and cult thrashers Pestilence) leaves no doubt as to the band’s intentions of being the fastest and most brutal band in Ireland. A split second after hitting the play button their musical assault begins and the title track churns away at full pelt. Drummer Johnny King (a member of the band since 2007) hammers at his bass pedals with the manner of a man in possession of extra limbs, while simultaneously hammering at his snares in a lightning speed attack, occasionally resulting in sounds clearly inspired by one-time Suffocation drummer Mike Smith. The other half of Abaddon’s rhythm section, bassist Steve Finnerty plays equally hard, his instrument grinding at top speed, not so much bringing an anchoring bottom end – an important part of extreme metal (see early Carcass) – but more adding a layer of buzz-saw noise throughout. The twin guitars of Steve Maher and Bill Whelan, meanwhile shred furiously, their shrill tones cutting through everything daring to stand in their way.