At the beginning of 2016, Wakefield’s Climbing Alice sounded like a force to be reckoned with on their ‘Melt Yourself Up‘ EP. Mixing alt-rock, goth and shoegaze noises, the four piece band created a great listen via a wealth of influences. There wasn’t so much in the way of immediate hooks or catchy melodies, but if it were a riff or six you craved, the EP – and band – came up winning pretty much every time.
Darkflight first took form in 2000 with a mission to create harsh, doomy sounds. Over the course of various DIY releases combining heavy as hell riffery with fantasy themed lyrics, they carved themselves a space in the world of Eastern European extreme metal. By the time of 2008’s ‘Perfectly Calm’, their atmospheres had grown to include elements of medieval folk metal, but generally speaking, their main concerns leant very much towards the heavy.
Fast forward to 2017’s ‘The Hereafter’ and Darkflight is just the product of two men: multi-instrumentalist/vocalist Ivo Iliev and bassist/clean vocalist Milen Todorov. The apparent lack of full band has had no impact on either Darkflight’s sense of vision or their abilities to absolutely crush with a riff, although Milen’s contributions of clean and gothy vocals certainly go a long way towards making this album as enjoyable as it is.
The Father of Serpents is a six headed beast comprised from members of various Serbian extreme metal bands. The combination of their talents hoped to recreate the sounds of classic doom with a melodic death metal edge, taking the mantle from established bands like (early) Paradise Lost, (early) My Dying Bride and Cathedral. It doesn’t take too long after hitting the play button on their 2017 release ‘Age of Damnation’ before it’s obvious that the vision they’d hoped for has been reproduced in a spectacular fashion.
Jennie Vee’s second solo EP ‘Die Alone’ was a masterpiece of retro cool. Taking elements from The Cranes, The Cure, Lush and early Echo & The Bunnymen, the release was a superb homage to everything that was brilliant about 4AD and electro-goth from the early 90s. [Read a review of the EP here.]
In the three years since that release, the one-time Tuuli frontwoman has been incredibly busy. She’s recorded a full length album, played with Courtney Love and supported Echo & The Bunnymen and Manic Street Preachers. Earlier in 2007, she also landed the job as bassist with Josh Homme’s Eagles of Death Metal.
Jennie Vee’s second solo EP ‘Die Alone’ was a masterpiece of retro cool. Taking elements from The Cranes, The Cure and early Echo & The Bunnymen, the release was a superb homage to everything that was brilliant about 4AD and electro-goth from the early 90s. [Read a review of the EP here.]