Tag Archives: get the fuck outta dodge

VARIOUS ARTISTS – Socks On Records And Friends Volume 3

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Ever since its launch as a not for profit label in 2021, Socks On Records has always conveyed a sense of community spirit. Members of Das Kapitans may well have been the instigators of Socks On and their band is the label’s most prolific act, but everyone who encounters the label becomes a member of their extended family. There’s no one-upmanship; no hierarchy – just a gathering of friends on a mission to make and share good music, DIY style.

This release really extends the Socks On ethos of sharing music in an altruistic way. It brings together over thirty tracks from various names who might not be familiar, and all monies earned from downloads will be donated to CPSL MIND, a mental health charity in Peterborough.

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GET THE FUCK OUTTA DODGE & DAS KAPITANS – Dodge Does Das Does Dodge EP

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Released in November 2022 with no hint of promotion, this surprise split release from Get The Fuck Outta Dodge and Das Kapitans is a treat for fans of either band. With a shared label and a shared goal in terms of noise-making, these musical friends have much in common, but scratch beneath the surface and it’s obvious that each band comes with their own very clear musical identity. Das Kapitans mix punk with a lot of very 90s indie rock influences, whilst Dodge play a particularly ferocious brand of lo-fi hardcore. On this split, they’ve chosen to record each others’ material, leading to an experiment that captures both acts in a typically raw mood, but at the same time, adds something new to their world of noise.

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“It’s Not Our Fault…”: An interview with Get The Fuck Outta Dodge

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At the tail end of 2019, Real Gone received an email requesting coverage from a band calling themselves Get The Fuck Outta Dodge. We had no idea what to expect. Within about thirty seconds of hitting the play button, it became clear that Dodge were one of the best bands we’d heard all year. Their lo-fi garage punk was never less than furious and in terms of a DIY set up, their then current EP, ‘We Make The Future Here’ raised the bar for independent noise making. We’ve followed their progress very closely ever since. In 2022, having survived a couple of years in a Covid ridden world, they found themselves in the studio with renowned Sheffield based producer Alan Smyth. In June 2022, James (bass/shouting) and Ren (drums/more shouting) dropped into Real Gone to talk about their whirlwind of work…

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GET THE FUCK OUTTA DODGE – It’s Not Our Fault Your Boyfriend’s Stupid

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Get The Fuck Outta Dodge are insanely prolific. ‘It’s Not Our Fault Your Boyfriend’s Stupid’ is the duo’s fourth release in a little over fifteen months. Unlike most bands, a global pandemic didn’t slow them down. If anything it amplified their work ethic, since James (bass/shouting) and Ren (drums/more shouting) could effectively work within their own bubble, and their quick and cheap recording approach more than lent itself to working within a limited set up.

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GET THE FUCK OUTTA DODGE – These Songs Still Aren’t Ours

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Following a couple of DIY recordings, UK hardcore/noise punk duo Get The Fuck Outta Dodge turned their hand to the covers album. ‘These Songs Aren’t Ours’ brought an equal mix of punky chaos and fun when James (bass/shouting) and Ren (drums/more shouting) hammered their way through the expected (tunes by Black Flag, Misfits and Rollins Band), to the inspired (a fuzz heavy version of The Cure’s ‘Screw’) to the joyous and bizarre (hardcore reworkings of tunes by the oft forgotten Whale and 80s pop stars Fuzzbox). It showed why a covers album need not be lazy or uninspired. After what felt like about thirty six hours, the never resting duo returned with a new EP, proving their minimalist hardcore had a lot more to give, before ending the year with another full-length. At the point you’d expect their drums/bass/shouting approach to be wearing thin, ‘Buzzkill’ actually presented GTFOD at their most visceral on one of the best releases of 2020.

Four months later, the duo released a second onslaught of cover tunes, ‘These Songs Still Aren’t Ours’, which very much follows the same pattern as their first covers release. Nothing is off limits; everything is subjected to a barrage of distortion, and as before, their choice of material is both classic and off-piste. With twenty two tracks filling a strictly limited cassette, it really gives fans a lot to enjoy.

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