Although he’d already released a solo album in 1989, it wasn’t until a follow up disc appeared three years later that Gary Hughes first gained major attention from the melodic rock world. 1992’s ‘Gary Hughes’ helped kick start the short lived (and much loved) Now & Then label and marked Hughes as a man with a great voice. Whether tackling rockers or ballads, he displayed a very natural talent, but it was when he later became frontman for bombastic rockers Ten – a band whom always aimed for a big sound and then made it bigger – his true range as a vocalist could really be heard. Whether a musical partner for Vinny Burns (on the band’s classic ‘Name of The Rose’) or Chris Francis (on 2004’s underrated ‘Return To Evermore’), Hughes has always put in a great performance.
‘Waterside’ comes some fourteen years after his previous solo recording and marks a return to the more sedate side of his work that fans have come to expect outside of Ten. Its collection of melodic tracks come loaded with big choruses and a few smart lead guitar breaks (all courtesy of Dann Rosingana) and that alone will be enough to win fans over. Unfortunately – as has been the case with several Frontiers Records releases throughout the years – it sounds…unbelievably cheap. Hughes offers some great vocal performances throughout and the guitars are crisp, but some great material is often let down by a general lack of warmth, some absolutely abysmal keyboard playing and a non-existent drum sound. With Darrel Treece-Birch credited as playing both keys and drums, a lot of things point towards the use of a drum program. Even if some of the drums are live, a really thin sound really comes at the expense of what, for Hughes – something of a British AOR legend – should have been a triumphant return. With that in mind, huge chunks of ‘Waterside’ sound almost like polished demos; songs awaiting their final bells and whistles. Hughes’s work deserves better than such an obvious “that’ll do” approach.