When Brockley Forest released their ‘Die Has Been Cast’ EP in 2015, it felt as if the band had reached a turning point. While the raw garage blues of their previous releases still provided the heart of their music, the EPs songs showed a leaner, meaner Forest – slightly more commercial without selling out; by providing bigger hooks on bigger songs, they really stretched their musical talents. Following a long gap between releases, Brockley Forest’s welcome return with 2018’s ‘Castaway’ is a step forward yet again. The production values on these three songs are terrific. Far removed from a garage based labour of love, the material has as much punch as that Royal Blood LP you all love – even though there are better exponents of that style – and the choruses are more than sizable.
Do you like buzz-saw guitar sounds and supercharged riffs? Are you ready for something that sounds like a cross between Fast Cars and The Hives? Then you love The Cavemen.
It’s been approximately three years since the world had a new studio recording from Brockley Forest. The band’s third EP, ‘The Die Has Been Cast’ was their biggest sounding to date, but the long awaited follow up, if anything, is even better.
There’s a new Kurt Baker Combo album on the horizon. ‘Let’s Go Wild’ explores some new territory for the singer-songwriter and his band, moving further away from the usual power pop tropes and deeper into garage rock. For those who love it rough and ready but still crave a big hook, the album serves up more than enough gems.
Kurt Baker is a very prolific musician and songwriter. In the six year stretch between 2012 and Easter 2018, whether solo or part of a band, he’s released the equivalent of at least two albums per year. Against the odds, most of the material has been great.
Relocating from the US to Spain in 2013, Kurt formed the Kurt Baker Combo, a band who would ultimately inject a little more of a garage rock ethic into his gift for a power pop hook. Their first record, 2016’s ‘In Orbit’, was a little fuzzier than expected and took a bit more getting into than any of Baker’s earlier works, but still carried great choruses and a fiery energy throughout. Working to a similar formula, the Combo’s 2018 record ‘Let’s Go Wild!’, if anything, is even fuzzier. Given the rate Baker has released records, it was only a matter of time before one of his albums showed a couple of flaws. This is that record. In terms of production, some of the shinier power pop elements are absorbed by dense guitars and a world of vocal filters that sometimes make the material a little more difficult to process.