Likened to early Replacements meeting with Johnny Thunders, the Dogmatics were very much a cult band on the Boston rock ‘n’ roll/power pop scene in the 80s. During their original run, they toured with Dinosaur Jr., The Bangles, Hoodoo Gurus, The Fleshtones and dozens of other well known rock bands. Tragedy struck in 1986 when bassist Paul O’Halloran died in a motorbike accident and with just two studio albums to their credit, the band called time on their short career. [A twenty track anthology, ‘1981-86’, brings together twenty Dogmatics recordings and is the ultimate primer for anyone unfamiliar with their work.]
In February 2020, Ken Fox & Knock Yourself Out released their debut EP and the sometime Fleshtones man treated fans to a brilliant but short collection of tunes that celebrated many of his power pop and garage rock influences.
Among the self-penned material was a great cover of The Pink Fairies’ cult classic ‘Do It’ (a track also recorded by The Rollins Band and others). As far as covers go, it fit among the unfamiliar material seamlessly, while also showing the band’s slightly angrier chops.
Best known as a member of Fleshtones, Ken Fox tackles retro sounds of a slightly different persuasion on his 2020 EP ‘Ken Fox And Knock Yourself Out’. Taking a pinch of 70s glam, a touch of rock ‘n’ roll, a whole world of 80s power pop and Kurt Baker‘s ability to summon good times, these five songs whip up a rock and pop storm almost guaranteed to please a wide cross section of garage rock and power pop fans.
Hailing from Asheville, North Carolina, three piece rock band Ugly Runner make a gloriously retro noise on their debut EP ‘Romanticizer’. Across its lean and mean nineteen minutes, you’ll hear echoes of the Stooges, Pixies, The Strokes and more as the band presents six tracks of fierce garage rock mixed with the noisier end of late 80s indie.
Green Day have undergone a few dramatic changes over the years. They’ve grown from being a straight up pop-punk band to one that seemingly knows no boundaries. They’ve dabbled with elements of 60s rock (the title track from their 2000 album ‘Warning’ brazenly ripped off The Kinks and the same album took in other retro styles previously untouched by the trio); delivered one of their generation’s most pointed political statements (‘American Idiot’); dabbled with a rock opera (’21st Century Breakdown’) and even staged a piece of musical theatre based on the ‘American Idiot’ album. Through it all, they have held on to a very loyal fanbase. You could accuse Green Day of many things (even becoming dull, as evidenced on their ‘Uno’, ‘Dos’ and ‘Tre’ trilogy from 2012), but you could never accuse them of standing still.