Ewigkeit’s eighth album ‘DISclose’ drew heavily on themes of other worlds and UF-ology. Quite removed from their black metal origins, its seven songs straddled a wide range of heavy influences, taking in some old school rock and a fair amount of melodic and symphonic black metal, as well as a touch of drone and a little alternative along the way. It was a hugely accessible record considering multi-instrumentalist James Fogarty had first come to prominence as a member of In The Woods and provided you could make it past a semi-abrasive vocal, it was an album with a lot to give.
British Anarcho punk legends are set to release a remastered version of their ‘Best Before 1984’ compilation today. Before release, they have a gift for fans: the whole thing can be downloaded LEGALLY and FOR FREE, but for the next few hours only.
After over two decades in the business, Italian garage rock/power pop band The Peawees have created more than a musical legacy. Their 2018 LP ‘Moving Target’ provided an excellent insight into the band’s style – a great listen for anyone unfamiliar with the band – delivering great hook after great hook. A tribute to Phil Spector on the suitably titled ‘Phil Spector’ provided an album highlight on a track big on retro riffs and even bigger on sleigh bells.
A new track, ‘You Don’t Know Me’ adds further to the band’s legacy with a three minute, guitar driven blaster that combines the more commercial feel of early 90s Social Distortion with the chorus thrills of Gaslight Anthem, all wrapped up in something that pays homage to ‘I Fought The Law’.
In October 2018, Boston rockers Watts returned with a new digital single ‘Queens’, a blast of guitar-driven goodness that added another piece of retro trashiness to their expanding legacy.
Moving into the new year, they’ve kick started 2019 by sharing another new track.
In 2017, Justine And The Unclean delivered an absolute belter of a debut LP. After a couple of punky tracks were offered as digital downloads, the album itself proved far more varied with Covault and co showing they were just as adept at power pop and other retro rock styles.