Over the years, Tom Hector has shown a massive love for retro sounds on his self-financed recordings. 2016’s ‘Little Bee’ from Hector And The Leaves presented songs that had traces of Brian Wilson and other power pop singer-songwriters lurking within its melodies; the simpler ‘(interiors)’ from the following year teased with a lo-fi sound, but carried timeless influences from Nick Drake and Elliot Smith. At the heart of the material – no matter the style – there’s a man with an old soul, and that old soul ensures 2023’s ‘Flowers’ continues his DIY voyage in a similar vein.
Tag Archives: folk
LEVELLERS – Together All The Way
The Levellers are one of those bands who’ve often kept themselves incredibly busy. Aside from the time spent off the road during the pandemic restrictions, they’ve toured constantly. When not on the road, the members can be found writing or in the studio recording. The band’s production wheel keeps turning in a way that suggests there’s a real love of what they do. Never was this more true than in 2018. Celebrating their 30th anniversary as a band, they released ‘We The Collective’, an album reworking old favourites acoustically, embarked on a twenty two date acoustic tour, played five festival dates, another two big shows arranged around their own “A Beautiful Day Out”, and almost thirty full electric shows. In between those, vocalist/guitarist Mark Chadwick found time to play seven solo gigs. In terms of work ethic, that’s a schedule probably only rivalled by Frank Turner, a man who seemingly never sleeps.
VARIOUS ARTISTS – Deep In The Woods: Pastoral Psychedelia & Funky Folk 1968-1975
Subtitled ‘Pastoral Psychedelia & Funky Folk’, this three disc anthology from Strawberry Records delves deeply into an era where folk music adopted a more progressive approach, and prog/psych bands weren’t afraid to get whimsical. Although the music within isn’t always easily pigeonholed, the bands and artists featured cross genres and moods freely, in a way that captures a period like no other, mixing folk narratives and very English tones with the worldly haze of a prog rock experimentation and a love of jazz. Without these genre-bending pioneers, John Martyn’s ‘Solid Air’ mightn’t be the much loved masterpiece that it is, and Al Stewart might’ve been forever stuck in a Dylan-esque narrative rut. And that’s just scratching the surface.
REAL GONE GOES OUT: Martin & Eliza Carthy – Ramsgate Music Hall, Ramsgate, Kent 8/9/2022
The beginning of September 2022 has been horrible. The British government has all but fallen apart, bumbling from day to day; energy prices have reached a new level of unaffordable, and the corner of Kent where the Music Hall sits, proudly but unassumingly in a seaside back street, has been battered by apocalyptic weather for what now feels like an eternity. The summer has started to feel like a distant memory. On top of that, The Queen has died. For most people – monarchists or otherwise – this has more than added to an escalating feeling of unease. Most people have no knowledge of a world without Queen Elizabath II on the throne, and somewhat predictably, the internet has quickly descended into factions, either mourning or gloating. It’s fair to say that a distraction is in order.
Tonight’s show from Martin & Eliza Carthy at Ramsgate Music Hall is the distraction we all need, but this show from the father and daughter folk duo has felt a long time coming. Originally scheduled for November 2021, it got postponed until March ’22 and then cancelled. Just as most people started to think it would never happen, it was then re-announced, and almost a year down the line – not before time – the Carthys are set to put in a most welcome appearance on a drab Thursday night.
VINCENT CARR’S SUMIC – Strolling Early Morning
One of the UK prog scene’s true underground talents, Vincent Carr’s complex acoustic work and love for pastoral soundscapes has helped create some interesting recordings over the years. On 2016’s ‘Rekindled’ he injected a very strong British folk rock vibe into some largely instrumental pieces, and on the follow up, ‘New Paeans’, he truly unleashed his inner Mike Oldfield on lengthy arrangements that blended prog, new age sounds and a hefty dose of acoustic complexity. Obviously he was working on a thousandth of Oldfield’s basic 70s budget, but the outcome certainly wasn’t in any way inferior. After that, Vince released a couple of ambient, improvised works that showed off yet another side to his talent. Those were approached with interest by a few of his biggest online champions, but were never designed for mass acceptance.