Vincent Carr’s fifth album ‘Rekindled’ (released under the name Vincent Carr’s SUMIC in 2016) was one of the year’s most pleasant surprises. Taking influences from Nick Drake, John Martyn, various 70s prog bits and a smidgeon of trad English folk, the album took the listener on a very pastoral musical journey. Traces of Freddie Phillips’ children’s TV scores also added to the album’s very English qualities. It was an album only heard by a relative few, but those who did, invariably loved it.
Steve Hewitt is a singer-songwriter from Kent whose previous works have gained some very positive reviews from singer-songwriter, folk and Americana fans, with particular praise for carrying such an American sound considering his very English roots.
His first full length album ‘Bigger Than Words’ presents a far more intimate sound than his 2015 EP release ‘Life Stories’. Lots of the poppier elements have been cast aside in a move for the better. With Hewitt baring his soul in a more stripped back fashion, the album largely works around a finely played acoustic six string and a big voice, although a few other embellishments help to give his personal songs a much fuller feel without losing any of the subtleties. …And even a couple of forays into adult pop are far more professional sounding than anything Steve has released previously.
As is their tradition, Cherry Red Records and their many associated subsidiaries have dozens of fantastic box sets and reissues lined up for the year’s second and third quarters. As we move firmly into Spring, Real Gone picks a few essentials lurking just over the horizon.
As confirmed in February, award winning singer songwriter Lisa Hannigan will release a live album in May 2019. Recorded with contemporary classical orchestra Stargaze, ‘Live In Dublin’ is set to showcase a few of Hannigan’s career highlights with a new slant.
A product of the late 60s freedoms and musical experimentation, British folk-rock gave the world a few classic albums in its formative years. Fairport Convention’s ‘What We Did On Our Holidays’ and ‘Leige & Leif’, both released in 1969, arguably took the musical fusion from being of cult status and into the more mainstream. Now considered indispensable by fans everywhere, these are albums without which Led Zeppelin’s third album might not exist in quite the same way…or even at all. Often taking a more trad direction in their early years, Steeleye Span captured the fingered-ear of folkies with 1970’s ‘Please To See The King’, whilst Lindisfarne also gained a great deal of commercial success with a slightly more raucous take on a rapidly growing genre, even if that success has been somewhat overlooked in the passing of time.