T.E. YATES – Silver Coins & White Feathers

You might never heard of T. E. Yates prior to the summer of 2017, but before the release of his debut full-length ‘Silver Coins & White Feathers’, the Manchester-based singer-songwriter spent years plying his trade on the underground scene, both as musician and poster artist. This record alone has roots stretching back several years and he pulls a huge selection of moods from his bag of old fashioned trickery to give these tunes an appropriate studio send off, ranging from thoughtful and maudlin, to the flippant. Occasionally, his work even has a sneering quality, as best heard on the album’s opening pairing.

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GARRETT HINSON – Nothing Is Destroyed

Taking the softer moods of Josh Rouse, the accessibility of ‘Gold’ era Ryan Adams and coupling that with narrative drive of Michael McDermott, Garrett Hinson hits upon a winning formula on his second full length album. ‘Nothing Is Destroyed’ serves up a selection of timeless tales and immensely appealing Americana sounds; it’s the kind of record you get halfway through and find yourself wondering why he’s not far better known.

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BEC STEVENS – More Scared Than Me

There are thousands of acoustic singer songwriters out there sharing tales of broken relationships and personal travelogues – those all important journeys of the heart, if you will. On ‘More Scared Than Me’, Australia’s Bec Stevens takes folk pop into very outspoken territory, very much as Frank Turner did on his best-selling break up record ‘Tape Deck Heart’. This is not new ground for folk music, but when delivering such familiar themes from a female perspective, Stevens’s work comes across with an unflinching honesty, resulting in a short collection of songs which should resonate with many listeners.

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Following the release of 1997’s ‘Mouth To Mouth’ – arguably the Levellers’ most commercial album to date – the band found themselves at a career high. That long-player spawned the massive hit single ‘What a Beautiful Day’, which although fell just short of the UK top ten singles chart, became one of their best-known and enduring songs, leading to extensive radio play. As part of the promotion for that single, various TV appearances were also made.  The Levellers were arguably at their most visible to the general public.  Following a greatest hits package and more touring, Mark, Jeremy and company retreated to concentrate on writing new material. Continue reading