Back in 2015, Fences made music that sat very comfortably within the indie-rock spectrum. The sound on that year’s ‘Lesser Oceans’ tapped into a sound that often sounded like a more synth based Mercury Rev crossed with the quieter and poppier moments from The New Pornographers. By the time 2019’s acclaimed ‘Failure Sculptures’ rolled around, band leader and frontman Christopher Mansfield seemed to be besotted by various elements of Americana. In adding extra folk and Americana derived elements to the already strong alt-pop sound, Fences created something rather special and a strange bubble where Fleet Foxes and Beck seemed to co-exist helped to create the band’s defining work.

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