It’s been a great year at Real Gone. Not only did the website celebrate its tenth birthday, but we got more requests and submissions for review than ever! This year, everything felt like it had truly come together and paved the way for the next phase of the website’s lifespan.
This year, Real Gone received hundreds upon hundreds of review items and digital streams. Obviously, there isn’t enough time to review everything…but from the mountain of stuff we got to listen to and review, there was a lot of great music.
As always, it’s been an interesting year for music, but unlike a few previous years, there have been no clear winners or stand-outs. There has been a lot of great music, of course…and this year, we’ve found it very hard to pick favourites.
Our top ten albums, as always, has been restricted to things that actually got reviewed at Real Gone and very much represent our broad musical scope. Hopefully, a couple of our choices will align with yours, but more importantly, we hope our top picks will open your ears to something new.
2016 has been an interesting year. We’ve heard hundreds of albums and we’ve heard lots of good ones, but in comparison to the previous couple of years there has been a paucity of great ones. Nevertheless, there’s always gold to be mined and here are Real Gone’s top ten albums of the year.
[As always, in the interest of fairness, the choices are limited to those actually reviewed on the website]
Given the position Real Gone finds itself in at the end of our fifth year online, it might seemed clichéd to say it, but ever year seems to get better and better. It’s been another brilliant year for discovering new music – particularly releases from underground and DIY bands, but also for discs from a couple of old favourites. Culled from hundreds of albums to grace our stereo this year, presented below is a quick look at ten of our favourite releases, as well as a round-up of the more notable of the rest.
At the end 2013, things have settled even farther into their niche. When Real Gone was born, the intent was to write reviews of albums that ended up unloved in cut-out bins – the ultimate guide to creating a brilliant record collection on a budget. Pretty soon, a few DIY bands got interested and PR guys got interested and the focus began to change. It would have been churlish to turn these new opportunities away…and by including reviews of independent and smaller bands, RG slowly expanded its readership.