Autumnwind isn’t really a band; it’s a huge musical vision where its founder, Abdulrahman Abu Lail writes and plays everything. He uses this one man band as a vehicle for emotional outpouring, in his own words, as a way of “mind-describing” his own feelings through intensive music. This third album makes that theory even clearer by giving its five pieces of music titles which reflect emotive states. The results, as expected, are very heavy, though never so confrontational you’d struggle to listen or, indeed, want to shut off the feelings that Abdulrahman is keen to share.
At the beginning of 2016, London based doom/sludge quartet Morag Tong released their debut EP ‘Through Clouded Time’. It received some very enthusiastic responses online and in it’s wake, the band were able to increase their profile through extensive live work. A follow up wasn’t especially quick in coming, but just one listen to 2018’s ‘Last Knell of Om’ reveals why. The band seemingly weren’t intent on just hacking out more of the same when it came to making a full length release. The album really delivers on previous musical ideas, but also takes the longer playing time to experiment with a few more progressive and space rock tendencies than before.
Metal oriented split releases are great, especially when they feature a couple of cult bands that share a similar musical root. The 2015 split between Cult of Luna and the lesser known Old Wind was interesting, and especially so considering Old Wind absolutely trounced the band most people would have bought the release to hear. Better yet, the 2018 split between Slomatics and Mammoth Weed Wizard Bastard achieved the same fate: after years of championing sludge and doom riffs, Ireland’s finest were outshone at almost every turn by the amusingly named Welsh upstarts. It was a release that no doom lovers should be without and one that proved that Mammoth Weed’s moment of glory had truly come.
A split between Into The Storm and Smooth Sailing is a natural phenomenon. Both bands have a similar approach to heaviness yet have their own style, so it’s easy to favour one over the other. Also – and perhaps this is the deal clincher here – Like Melvins and Fantomas, there’s some crossover with regard to band members. This EP is also a good way to get some previously unheard material out to both long standing fans and new listeners alike.
Almost legendary instrumental fuzz metal/space rock outfit Earthless are heading to Europe on a twelve date continent-wide tour.
What’s more, they’re bringing TeePee Records signings Ruby The Hatchet along for the shows in the UK, Netherlands and Switzerland!
What happens when you take two doom bands whom have a mutual respect for each other and give them one side of an LP each? Possibly one of the heaviest records ever! ‘Totems’, from Black Bow Records, combines five previously unreleased tracks – three from Slomatics and two from Mammoth Weed Wizard Bastard – and presents the ultimate in doom, though somehow without things ever feeling as if they’re verging on a pointless macho pissing contest.