At the beginning of 2016, London based doom/sludge quartet Morag Tong released their debut EP ‘Through Clouded Time’. It received some very enthusiastic responses online and in it’s wake, the band were able to increase their profile through extensive live work. A follow up wasn’t especially quick in coming, but just one listen to 2018’s ‘Last Knell of Om’ reveals why. The band seemingly weren’t intent on just hacking out more of the same when it came to making a full length release. The album really delivers on previous musical ideas, but also takes the longer playing time to experiment with a few more progressive and space rock tendencies than before.
Metal oriented split releases are great, especially when they feature a couple of cult bands that share a similar musical root. The 2015 split between Cult of Luna and the lesser known Old Wind was interesting, and especially so considering Old Wind absolutely trounced the band most people would have bought the release to hear. Better yet, the 2018 split between Slomatics and Mammoth Weed Wizard Bastard achieved the same fate: after years of championing sludge and doom riffs, Ireland’s finest were outshone at almost every turn by the amusingly named Welsh upstarts. It was a release that no doom lovers should be without and one that proved that Mammoth Weed’s moment of glory had truly come.
A split between Into The Storm and Smooth Sailing is a natural phenomenon. Both bands have a similar approach to heaviness yet have their own style, so it’s easy to favour one over the other. Also – and perhaps this is the deal clincher here – Like Melvins and Fantomas, there’s some crossover with regard to band members. This EP is also a good way to get some previously unheard material out to both long standing fans and new listeners alike.
Almost legendary instrumental fuzz metal/space rock outfit Earthless are heading to Europe on a twelve date continent-wide tour.
What’s more, they’re bringing TeePee Records signings Ruby The Hatchet along for the shows in the UK, Netherlands and Switzerland!
What happens when you take two doom bands whom have a mutual respect for each other and give them one side of an LP each? Possibly one of the heaviest records ever! ‘Totems’, from Black Bow Records, combines five previously unreleased tracks – three from Slomatics and two from Mammoth Weed Wizard Bastard – and presents the ultimate in doom, though somehow without things ever feeling as if they’re verging on a pointless macho pissing contest.
Towards the end of 2016, Canadian doom merchants The White Swan unleashed their debut EP. Although just offering the discerning riff-junkie just three tracks, on ‘Anubis’, Mercedes Lander and her crew of heavyweight sludge lovers proved that quality always wins out over quality. Between the band’s own ‘Blood’ – a perfect fusion of heaviness and an odd, treacly psychedelia – and the heaviest version of Wings’ ‘Jet’ ever – hearing is believing – the release was an instant classic. Several months on, their eagerly awaited follow up doesn’t so much pick up where the previous tracks left off, but tries its utmost to smash the previous efforts into smithereens [in this case, meaning a thousand pieces; at no point do The White Swan attempt to put their heaviest stamp upon anything written by Pat DiNizio, but it might be a fun idea…]