BLESSED BLACK – Seasons Vol. 1

Stoner metal band Blessed Black released their first album ‘Beyond The Crimson Throne’ in January 2020, intending to take the underground metal scene by storm. As history has proved, that year’s arrival of a global pandemic and a total shutdown of the live scene meant that any plans had to be rethought. Despite a very tricky couple of years, that release’s commitment to a riff suggested great things ahead for the band, and this EP length follow up more than makes good on that early promise.

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CALLOUS HANDS – Trapped In Animated Flesh EP

The debut EP from Callous Hands (2021’s ‘Earth Mover’) wasted no time in announcing the arrival of a superbly heavy band. The three featured tracks blended groove metal, melodic death metal and elements of progressive metal for a sound that was truly impressive. In the band’s own words, the recording was “as heavy as fuck”, and certainly suggested great things to come.

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MELVINS – At The Stake: Atlantic Recordings 1993-1995

After Geffen Records scored an unexpected commercial and financial success with Nirvana’s ‘Nevermind’ album in 1991, other major labels began to scour the Seattle area, convinced that the city and its surrounding towns would result in a similar brand of ‘Teen Spirit’. By 1993, around the time that Seattle Fever had reached its peak, pretty much every band who’d been name checked by Kurt Cobain or other important figures had made the leap from indie cool to bigger things. Even supposed second division acts like Tad found themselves signed to major contracts. Looking back, it could be argued that a lot of these bands didn’t quite have the impact the labels had desired, but these major deals certainly elevated their profiles.

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MOTHER OF GRAVES – In Somber Dreams EP

Hailing from Indiana, Mother of Graves take massive musical cues from My Dying Bride and early Paradise Lost and apply those sounds to the broader musical canvases of the likes of Swallow The Sun. From the off, the material on this debut EP (originally released in 2021) really values huge, dark melodies, but in order for those metallic backdrops to not sound too commercial – relatively speaking – a really abrasive melodic death metal growl has also been applied. This, at least at first, sounds like an act of slight self-sabotage since the bulk of the music would definitely be better suited to a Type O Negative influenced croon. There’s nothing about that voice – even at its most extreme – that will be too off-putting to the hardened doom fan, of course, but it might stop the material appealing to a broader spectrum of metal fans.

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ABIURO / FALSE GODS – Split EP

It’s East vs. West on this sludge metal face-off from Doom Fujiyama Records when Japan’s own Abiuro go head to head with New York riff beasts False Gods. Two of the scene’s heaviest bands together on one release automatically ensures a doomy delight, but the stakes are even higher when both acts turn in some of their most immense riffs to date.

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