BOSS KELOID – Melted On The Inch

Boss Keloid are a scary bunch. They’re one part art rock, two parts progressive metal, three parts sludge and seven parts obsessed with ‘Zodiac’ era Melvins. On their 2018 LP ‘Melted On The Inch’ they use those influences and their many quirks to challenge, frustrate and eventually entertain. Providing your mood is right – and this is the very definition of a mood record – it can lead to a fascinating trip.

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ALLFATHER – Bless The Earth With Fire

Formed in 2014, Allfather came together over a shared interest of “vikings, anti-fascism and crisps”. It’s good to know the band have a sense of humour, because their 2016 release ‘Bless The Earth With Fire’ is not one to be taken lightly. Its six songs – if, indeed, they can be called songs, rather than an extended collection of devastating riffs – are heavy, dense and sludgy in equal measure. In short, if you’re a total riff junkie and value the weight and presence of a riff over almost everything else, you’ve come to the right place.

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DARKFLIGHT – The Hereafter

Darkflight first took form in 2000 with a mission to create harsh, doomy sounds. Over the course of various DIY releases combining heavy as hell riffery with fantasy themed lyrics, they carved themselves a space in the world of Eastern European extreme metal. By the time of 2008’s ‘Perfectly Calm’, their atmospheres had grown to include elements of medieval folk metal, but generally speaking, their main concerns leant very much towards the heavy.

Fast forward to 2017’s ‘The Hereafter’ and Darkflight is just the product of two men: multi-instrumentalist/vocalist Ivo Iliev and bassist/clean vocalist Milen Todorov. The apparent lack of full band has had no impact on either Darkflight’s sense of vision or their abilities to absolutely crush with a riff, although Milen’s contributions of clean and gothy vocals certainly go a long way towards making this album as enjoyable as it is.

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THE FATHER OF SERPENTS – Age Of Damnation

The Father of Serpents is a six headed beast comprised from members of various Serbian extreme metal bands. The combination of their talents hoped to recreate the sounds of classic doom with a melodic death metal edge, taking the mantle from established bands like (early) Paradise Lost, (early) My Dying Bride and Cathedral. It doesn’t take too long after hitting the play button on their 2017 release ‘Age of Damnation’ before it’s obvious that the vision they’d hoped for has been reproduced in a spectacular fashion.

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