Few people could argue against 1984 being one of history’s finest years for pop music. Above all else, the mighty Frankie Goes To Hollywood came and gave pop a hefty kick up the arse with a combination of great tunes and greater controversy. They were the first band since the 60s to score three #1 hits in a row, but each one – ‘Relax’, ‘Two Tribes’ and ‘The Power of Love’ were deserving of their success. Each one sounds as good as ever and in the case of ‘Two Tribes’, there’s still a real edginess you’d think would be long gone.
It’s been known for several weeks that a super deluxe Iggy Pop box set entitled ‘The Bowie Years’ is to be released this year. Aside from the announcement that the box set would include 2CD editions of 1977’s ‘The Idiot’ and ‘Lust For Life’, plus a broad selection of live material, any other info has been rather scant.
Now scheduled for a May release, it has been confirmed that the 7CD set will include the following material, with everything on discs 5-7 being previously unreleased:
Back in May 2017, Real Gone launched “The Great 70s Project”, a ten week exploration of a classic decade’s worth of music. By side-stepping a couple of the obvious hits and digging deeper into back-catalogue albums, we were able to present a very broad look at the albums of the era and it became one of the site’s most popular features.
A long time in the planning, we’re pleased to present The Great 80s Project, a similar exploration of the decade that brought us a multitude of synth-pop, shiny tunes, bright colours, Live Aid and a handful of stadium giants.
Love it or hate it, Record Store Day has become an important fixture on the music-related calendar. From humble beginnings with a few bits and bobs to entice people into independent record shops, it’s now become a huge business tool, giving major labels an excuse to reissue all kinds of stuff. While it now seems more about a money making venture than to highlight small business, there’s still some cool stuff to be found. Never more so than for the 2020 event, where there are a truckload of artificially created rarities that look like lovely items for the keener fan.
Since David Bowie’s passing in January 2016, the love for the man and his music has continued to grow. People across the internet have continued to debate the merits of his extensive back catalogue with a fervour that’s only really matched by the Beatles and Pink Floyd fans. Albums like ‘Hours…’ have been revisited and reappraised; new remastering of 1977’s ‘Low’ has caused controversy and ‘Blackstar’ has continued to astound and upset with its thinly veiled messages of mortality and dabblings with jazz-rock fusion. Few artists have delivered such a diverse and impressive parting gift.