FIND ME – Angels In Blue

Combining the talents of Blanc Faces vocalist Robbie LaBlanc and Chilean multi-instrumentalist Daniel Flores, Find Me are a band that recycle classic 80s rock sounds with love. The musicians were brought together by Frontiers Records’ President Serifino Perugino in 2013 to try and fulfil his dream of creating “the perfect AOR record”. Their debut album ‘Wings of Love’ was an excellent example of the genre, though measured against many of the 80s classics, to call it “perfect” would, perhaps, be a little overzealous. The odd thing is that Perugino had something close to his dream under his nose the whole time with Work of Art’s 2008 debut ‘Artwork’, but nevertheless, he wanted more. The fans loved it, of course; the reviews were almost all positive and Find Me eventually recorded a second album at the end of 2015.

As the next couple of years ticked by, with Flores reconvening The Murder of My Sweet in 2017 and working with Palace in 2018 and no word from LeBlanc, a third Find Me record seemed increasingly unlikely. …And then, at the beginning of 2019, the band announced their big return…much to the delight of most who’d followed them previously.

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TOBY HITCHCOCK – Reckoning

Toby Hitchcock first came to prominence in the early 2000s as frontman with Pride of Lions, a melodic rock band masterminded by Survivor legend Jim Peterik. With a combination of big performances and old style AOR hooks, the band found an instant fan base within the AOR community, despite treading a very familiar musical path. Outside of that band, Hitchcock has also achieved cult success with an on/off solo career and, if anything, his 2011 solo debut ‘Mercury’s Down’ featured performances that were even more bombastic.

His second solo album – 2019’s ‘Reckoning’ – offers fans exactly what they want, in that its eleven tracks couple some huge melodic rock sounds with an even bigger vocal. For those who love Toby, the album is probably everything they could ever wish for…and more. For the many who find his approach too big, it might be another album that fails to convince at first, but it’s worth persevering with since most of the material knocks spots off 2011’s ‘Mercury’s Down’.

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THE MURDER OF MY SWEET – Echoes Of The Aftermath

murderDespite claiming to draw influences from early Queen, ELO and Genesis, on their 2015 LP ‘Beth Out of Hell‘, The Murder of My Sweet came across as a really overbearing, second rate Nightwish. The album introduced listeners to a concept about a love affair between good and evil; a theatrical narrative made the material harder to digest than it already would have been…and in terms of both good taste and sanity, a children’s choir was the final straw. In short, ‘Beth Out of Hell’ was an egotistical, bloated effort that once heard (and once was enough) had the potential to cause long term mental trauma.

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FIRST SIGNAL – One Step Over The Line

FIRST SIGNAL LPIn 2010, Harem Scarem vocalist Harry Hess teamed up with Frontiers Records hired hand Daniel Flores to form First Signal, a band clearly more devoted to traditional AOR sounds than Harem Scarem had often been since their debut release in 1991. The results, while never outright classic, were very strong. With Hess returning to Harem Scarem duties almost instantly, First Signal seemed as if it would be a one-shot deal. But then, in the late spring of 2016, they returned.

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THE MURDER OF MY SWEET – Beth Out Of Hell

muder of my sweet bethFormed in 2007 around the talents of drummer/producer Daniel Flores and vocalist Angelica Rylin, The Murder of My Sweet is a symphonic metal band based in Sweden.  Their third album, 2015’s ‘Beth Out of Hell’ is a ridiculously grand affair straddling a fairly typical symphonic metal sound with huge elements pulled from musical theatre.   Those who enjoy Within Temptation, Nightwish et al might glean some listening enjoyment, but to say its bombast is both one-paced and predictable would be an understatement.

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