SOPHIA MARSHALL – Song 3 EP

At the beginning of 2018 singer-songwriter Sophia Marshall released an EP of low-key, stripped back Kasabian covers. With the arrangements finally allowed room to breathe and a decent vocal applied, Kasabian never sounded better. Barely a month later, Marshall returned with a two track digital single centred around The Pretenders. It perhaps wasn’t as broad in appeal as the Kasabian release, but her dreamy, strung out version of the Ray Davies penned ‘I Go To Sleep’ was definitely worth hearing.  The third release in her ongoing covers project, ‘Song 3’, turns its attentions to Colchester’s favourite sons, Blur, and rather disappointingly, despite the title building up hopes, she doesn’t re-imagine their indie-punk belter ‘Song 2’ in a swoon-some dream pop style. That’s not to say her three choices aren’t interesting of course, since the Blur catalogue is ripe for the picking…and it’s not like they get covered very often either. Also, two of Sophia’s re-imaginings are of a gold standard – great additions to her covers project.

Continue reading

Hear Sophia Marshall’s haunting version of ‘I Go To Sleep’

In February 2018, singer songwriter Sophia Marshall released ‘lin-dah’, a three track EP of Kasabian covers.  She was able to take the original material – including the massive hit ‘Fire’ – and strip it back to its core, resulting in recordings that found a place somewhere between folk and dreampop.  [A full review of the EP can be found here.]

Continue reading

It Was Fifty Years Ago Today… The Continuing Saga of Sgt. Pepper

It was fifty years ago today…that the world was first introduced to Sgt. Pepper. It’s hard to imagine, at this point, that there was even a time when the album didn’t exist. Whether you consider yourself a fan or not, for the past two generations the album has become omnipresent. Two generations of people have loved it and hated it, while those who have yet to hear the record itself will still be aware of it’s presence. Visiting a record shop, there’s a good chance that its technicolor collage artwork will be seen. It’s always there; for most of us, it’s always been there.

Continue reading