Experience comes with age, or so they say, but once in a while an artist emerges whose experience totally contradicts that theory. Still in her teens at the time of this EP release, singer-songwriter Althea Grace has already shared stages with The Shins and Doyle Bramhall II (the blues guitarist most famous for being sideman to both Eric Clapton and Roger Waters) and caught the attention of Sheryl Crow.
Most people wouldn’t argue with the theory that Johnny Cash’s musical rebirth in the 90s introduced the legendary country icon to a whole new audience. Under the watchful eye of producer Rick Rubin, Cash applied his distinctive style to some great rootsy material and covered tunes by Beck, Nine Inch Nails, Soundgarden, Tom Petty and Depeche Mode along the way.
Nashville’s The Grahams have a very busy 208 ahead. In addition to a new studio album with Black Keys producer Richard Swift in charge of twiddling the knobs and extensive live appearances, the duo will also unveil a new documentary ‘Love & Distortion’, where The Grahams “explore the real America…on Route 66“.
The documentary will feature an all-star Nashville soundtrack, with contributions from Lilly Hiatt, Dylan LeBlanc and many more. Most importantly, it will feature previously unreleased tracks by The Grahams themselves, in the form of two classic cover tunes.
In 2015, House Above The Sun released a DIY EP that hinted at strong talents within light blues rock and UK Americana genres. Two years on, the band’s first full length takes those roots and tugs hard at them, resulting in a recording that’s like an old familiar friend; ten songs displaying a very live sound coupled with a few classic hooks and lots of great playing.
Taking the softer moods of Josh Rouse, the accessibility of ‘Gold’ era Ryan Adams and coupling that with narrative drive of Michael McDermott, Garrett Hinson hits upon a winning formula on his second full length album. ‘Nothing Is Destroyed’ serves up a selection of timeless tales and immensely appealing Americana sounds; it’s the kind of record you get halfway through and find yourself wondering why he’s not far better known.