We’ve reached the end of 2015. It hasn’t been as thrilling a year for new music as 2014 had been, but there has been plenty to entertain. We’re still waiting on the proposed deluxe edition of Prince & The Revolution’s classic ‘Purple Rain’ (we could be waiting a long time) and those promised UB40 deluxe editions. Another year has passed without the arrival of Real Gone favourite Mick Terry’s second album. Lots of people in the UK have been (over)-excited by Steven Wilson’s ‘Hand.Cannot.Erase.’, but most of what’s impressed us the most at Real Gone – as is so often the case – is often just a little more underground.
Although compared by others to Mogwai, if Cities’ almost ambient musical approach combined with the use of samples and visuals makes you think of Public Service Broadcasting, you wouldn’t be completely wrong. There are some key differences, of course, but most importantly – unlike the works of Public Service Broadcasting – it’s not at all derivative and boring. Public Service Broadcasting are all about the samples, to the point where they’ve often forgotten to write interesting music; with Cities, their musical arrangements are the heart and soul of everything they do. Yes, you can spot various influences scattered throughout their ‘Manning Alaska’ EP – but there’s rarely a moment passes that where Cities haven’t added their own twist of musical magic.