The 12 Days of Christmas promotion from Cherry Red Records allowed a lot of people to stock up on last minute stocking fillers in 2018. The promotion is being repeated this year, with 20% off selected titles for a limited time. As before, each day will highlight discounts from different labels within the Cherry Red family.
For a limited time, you can now get 20% most of the HNE Records catalogue, meaning that there’s a whole world of hard rock and classic rock box sets available at knock-down prices.
When most people think of Eric Burdon, they think of The Animals. More specifically, they think of The Animals’ hit-making period between 1964-66. They might even think about Eric’s recordings with War, a brief association that spawned cult albums in 1970.
Between these two high profile periods, Burdon continued to record. Much like Fleetwood Mac’s “wilderness period” that caused a drought of UK success between 1971 and 1975, Burdon’s output in 1967 and 1968 is often overlooked, yet in a little over a year, he released a string of non-charting albums credited to Eric Burdon & The Animals.
Following Cherry Red’s 2CD reissue of Girl’s debut album ‘Sheer Greed’, the label are set to release a massive 6CD edition of the band’s second album ‘Wasted Youth’ in January 2020.
The band was the launch pad for the careers of Def Leppard guitarist Phil Collen and LA Guns vocalist Phil Lewis. The band found themselves on the fringes of the New Wave of British Heavy Metal and glam scenes and were a popular live draw in the early 80s.
For many, Mick Ronson needs no introduction. However, for his much celebrated fame with Bowie’s Spiders From Mars, his associations with Mott The Hoople and Lou Reed and having a lifetime champion in Def Leppard’s Joe Elliott, there’s one aspect of Ronson’s career that’s sometimes overlooked: his 1970s solo recordings.
With their third album, 1979’s ‘Head First’, The Babys finally gave the world a genre classic. Their first two albums weren’t short on great material, but occasionally wavered with a couple of lightweight tracks here and their which sometimes seemed to lessen the overall quality, especially from an AOR/melodic rock fan’s perspective. In ‘Head First’, it felt like the first time all of the pieces truly fit. Aside from a bizarre song where John Waite recounts a childhood visit to the dentist, pretty much everything on the album represented The Babys at their absolute best.