It may have been snobbery due to Marijne van der Vlugt’s previous career as an MTV VJ, but the critics weren’t always so kind to Salad back in the 90s. Those who liked them, however – whether from a journalistic perspective or merely a fan – genuinely loved them. Between 1993-97, the band released a string of enjoyable EPs and two albums, but it was in the live setting where the band really shone, as anyone who saw them on a couple of Carter USM tours in 1994-95 will attest.
Following their four much celebrated appearances at the Star Shaped Festival, the recently reformed Sleeper announced a headline show at London’s Shepherd’s Bush Empire scheduled for December.
Very much gathering momentum, Sleeper have now confirmed a run of live dates for next year. Details of dates and venues can be found on the poster below.
It’s approximately 8:30pm. The house lights are wavering and there’s a growing feeling of tense excitement in the venue. Spent in the company of various bands from Britpop’s peak, the Star Shaped Festival has already provided a very enjoyable afternoon, but there’s also been a definite feeling throughout most of the day that a reformed Sleeper are the biggest draw, so perhaps this tense and nervous feeling is more than justified. There’s a lot riding on their return and this next hour.
The Britpop years between 1993-97 brought wave after wave of great music. From the well documented – Oasis, Blur, Suede and Pulp – to those lesser talked about years later – Gene, Marion, Menswear – each act brought their own slant to classic retro styles, often centering around guitar driven pop-rock.
Among the big players were Sleeper. Sleeper were special. With a musical grounding that mixed the pop hooks of Blondie and the proto punk-pop of The Undertones with lyrical narratives that were often interesting, their first two albums (‘Smart’, 1995 and ‘The It Girl’, 1996) have really stood the test of time.
At the end of July 2015, singer-songwriter Mark Morriss releases his second solo album ‘The Taste of Mark Morriss’.
On the LP, the sometime Bluetones frontman covers tunes from a range of eras and influences including REM, Scott Walker, Madonna and Weezer.