Although Fall fans probably expected reissues of ‘Totale’s Turns (It’s Now Or Never)’, ‘Grotesque (After The Gramme)’ and ‘Slates’ to appear before the end of 2019, this October will actually see something a little further ahead making up volume three of Cherry Red’s extensive Fall Sound Archives reissue series.
In some people’s minds, Samson are often considered either a second division act of the New Wave of British Heavy Metal, or simply “that band that Bruce Dickinson used to be in”. While neither is technically incorrect – historically, most NWOBHM bands are now second division compared to scene titans Iron Maiden and Saxon, and Bruce was in the band – such basic thinking does Samson a massive disservice. By the time they’d recorded their debut album in 1979, the band were actually at the forefront of the emerging scene. They were one of the first to release a full length album and despite some fluctuation in early line-ups, at their best, they could more than hold their own when it came to hard rock entertainment.
Over the past couple of years, we’ve been spoilt for Beatles products. Although the 50th anniversary of their peerless ‘Revolver’ came and went in 2016 without a reissue to mark the momentous occasion, the world was treated to lavish box sets of both ‘Sgt. Pepper’s Lonely Hearts Club Band’ in 2017 and ‘The Beatles’ (aka ‘The White Album’ in 2018.
With a pattern established, fans quickly speculated whether a 50th anniversary box set of ‘Abbey Road’ would emerge.
‘Get Carter’ is widely considered to be one of the great British crime thrillers of the era. The 1971 film really helped to cement Michael Caine’s popularity, but as much as featuring various quotable lines and a timeless performance from the beloved British actor, the film is also fondly remembered for its film score.
The evening of December 1st 1976 began much like any other, but by the time the evening rolled into night time, television history had been made. With Queen unable to make their interview slot on the Today magazine programme, punk band Sex Pistols were drafted in as a last minute filler. It was an event that started with a wobble and ended with guitarist Steve Jones calling the ill at ease presenter Bill Grundy a “fucking rotter”. Up until this point, punk had been a truly underground phenomenon, only really of concern to a few bands, their friends and young people who’d decided they now wanted to be in bands. It hadn’t really spread beyond parts of Manchester, London and the boring suburbia of Bromley, yet here it was beaming itself into the living rooms of unsuspecting viewers.
Within hours, the press claimed outrage at the “filth and fury” of it all which only meant that punk was now in the consciousness of an entire nation, fueling the fires of excitement within teenagers up and down the UK, making it all the more appealing. In 1977, punk made its way into the mainstream with the Pistols, The Clash, The Damned and The Stranglers all releasing classic debut albums and scoring a few hit singles in the process.