On the surface, it would seem that the British blues boom has been well served by compilation discs over the years. On closer inspection, that hasn’t really been the case at all: the best anthologies tend to be label specific (Blue Horizon’s ‘The Blue Horizon Story’, Decca’s ‘The Blues Scene’ and Immediate’s ‘Blues Anytime’ series, later repackaged as an excellent four CD set by Charly Records). The bulk of the rest seem too concerned with repackaging bits of ‘Blues Anytime’ with cheap, inferior packaging. There hasn’t ever really been a decent compilation covering a lot of ground from different labels, or one unafraid to dig a little deeper beyond the usual suspects.
The Tedeschi Trucks Band are known for their great live performances. Epic sets where – in the time honoured Grateful Dead and Allman Brothers traditions – anything can happen. Many of their previous live shows have been shared by fans, but few match the grandness of their set a couple of nights ago at the LOCKN’ Festival.
When most people think of Dr. John, first, they’ll think of his 1968 album ‘Gris Gris’ – a groundbreaking work melding voodoo blues, deep psychedelia and a touch of New Orleans jazz – or his popular ‘Right Place, Wrong Time’ single which showed a love of funk that fit the early 70s perfectly. Maybe they’ll think about his appearance at The Band’s Last Waltz, where he was invited to sing ‘Such A Night’, captured on celluloid for future generations to discover.
Krissy Matthews sounds like a man who’s always had an old soul. His vocals might never have shown the deceptive rasp of Johnny Lang, but musically, his 2015 album ‘Scenes From A Moving Window’ showcased musical influences that far pre-dated his twenty three years on the planet. More impressively, it was his fifth album… By the time of his sixth album’s birth, he still hadn’t reached the grand old age of thirty, but 2019’s ‘Monster In Me’ continues his tradition of delivering a pot pourri of blues, funk and occasional hard rock with all of the confidence of a man who’d been recording for decades.
Between May and July 2017, Real Gone embarked on an ambitious audio project. A huge library of streaming audio, ‘The Great 70s Project’ became one of the year’s most popular features.
The plan was to delve deep into the decade’s music, but dig much deeper than revisiting the hits. We hoped that by presenting the hits alongside some fabulous album cuts and neglected b-sides, our look at the decade would create new favourites and also encourage listens to long neglected albums.