In Tenebriz is one of Russia’s more adventurous extreme metal bands. Rather than just settle for plain old black or death metal, their previous releases have fused black metal elements with bits of drone rock and post-metal, lending an almost cinematic feel to their work. Their 2018 release ‘Winternight Poetry’ is arguably their most adventurous, presenting a seven chapter half hour suite telling the story of Kai, whom upon visiting the kingdom of the Snow Queen, is taken prisoner and forever trapped in a world of permafrost. You wouldn’t know that unless you were told, since – as always with things from a black/extreme metal perspective – the lyrics are hard to grasp without the aid of the written word. For most listeners, it’ll be down to the music to do the talking…and luckily, this release features some great sounds and arrangements, befitting of such a brave piece of conceptual and progressive metal.
Formed in 2012, Belgian progressive/post black metal band Soul Dissolution have never been afraid to stretch the confines of black metal. Their 2018 album ‘Stardust’ mixed standard black metal ideas with some surprisingly melodic passages, resulting in something that often sounds like Drama crossed with a very extreme version of ‘Jester Race’ era In Flames, stretching extreme riffs into cold, bleak shapes.
Lots of the pre-release whispers have suggested the upcoming album from Danish metal outfit MØL is something special. Blending elements of black metal with a shoegaze wall of sound, the band create music that isn’t always easy, and yet there’s something about its coldness that’s both cinematic and captivating.
A perfect fit for their epic sound, the new video for ‘Bruma’ has a scope and coldness that could really draw you in.
The official press release, along with the full video, can be found below.
From it’s birth in the coldest extremes of Scandinavia, black metal slowly spread across Europe like a harsh plague, invading territories with a barrage of riffs, twig shaped logos, minimalist artwork and sounds often characterised by especially harsh, thin vocals. Over the years, the style has become more refined, mixing the purer elements with death metal depths and complexities. In allowing itself to be more inclusive of a few other extreme metal styles, it seemed to become even more influential – a huge surprise for a metal subgenre born within such extremities. In short, it’s all come a very long way from it’s roots; it’s no longer about painting your face white and considering burning a church during your spare time.
Darkflight first took form in 2000 with a mission to create harsh, doomy sounds. Over the course of various DIY releases combining heavy as hell riffery with fantasy themed lyrics, they carved themselves a space in the world of Eastern European extreme metal. By the time of 2008’s ‘Perfectly Calm’, their atmospheres had grown to include elements of medieval folk metal, but generally speaking, their main concerns leant very much towards the heavy.
Fast forward to 2017’s ‘The Hereafter’ and Darkflight is just the product of two men: multi-instrumentalist/vocalist Ivo Iliev and bassist/clean vocalist Milen Todorov. The apparent lack of full band has had no impact on either Darkflight’s sense of vision or their abilities to absolutely crush with a riff, although Milen’s contributions of clean and gothy vocals certainly go a long way towards making this album as enjoyable as it is.