Brisbane’s Hawkmoon have new album coming out next month. Ahead of the full release, the Aussie rockers are streaming a new single, ‘Speed of Dark’, which you can hear in full below.
There are thousands of acoustic singer songwriters out there sharing tales of broken relationships and personal travelogues – those all important journeys of the heart, if you will. On ‘More Scared Than Me’, Australia’s Bec Stevens takes folk pop into very outspoken territory, very much as Frank Turner did on his best-selling break up record ‘Tape Deck Heart’. This is not new ground for folk music, but when delivering such familiar themes from a female perspective, Stevens’s work comes across with an unflinching honesty, resulting in a short collection of songs which should resonate with many listeners.
There have been some great stoner and doom bands surface over the first part of the twenty first century. Whether recycling straight up Sabbath-isms, or channelling Fu Manchu-esque dusty grooves that sound like they’ve been borne from a sweaty, clapped out van, this unashamedly retro sub genre of metal rarely disappoints. It’s so often predictable, but that doesn’t diminish from it’s overall power.
Every once in a while, a band appears on the scene that – although still treading a very familiar path – also seems to raise the bar. Such is the case with Devil Electric, a four piece stoner metal outfit from Melbourne whose riffs are so big, they could cause a tremor somewhere in the outback. Their 2016 EP, was hugely enjoyable, but their first full length exceeds expectations.
Australia isn’t necessarily the first place you think of when it comes to country music. Aside from Keith Urban, the antipodeans haven’t necessarily had many country music exports since the 60s, but over the years they’ve constantly nurtured their own homegrown scene. Queensland native Kasey Curwen – professionally known as Kasey-Michelle – really grabs a hold of the poppier end of the genre to provide the core sound for her debut EP ‘Young & Reckless’. It isn’t the work of a country purist but, that said, most of this release is still going to be far too country for those who come out in hives at the merest hint of a knee-high boot, and run for the desert plains screaming at the threat of a newer country music and it’s shiny pop fusions. Those who like a bit of a country influence, on the other hand, are likely to find at least two unpolished diamonds within this EP’s five songs.
This debut EP from Wesley Fuller is gloriously retro. Almost everything about it – from the 70s musical influences to the garish 80s artwork and Fuller’s own fashion sense – has at least one foot in the dirt of the past. The Aussie singer songwriter so loves retro synths and glam rock stomps, bubblegum choruses and power pop guitars and while his work rarely displays the kind of perfection you’d find from, say, Mike Viola or the vastly underrated David Myhr, ‘Melvista’ presents five tracks of guitar oriented pop that should appeal to those whom reach for Pezband and Off Broadway (USA) records on a semi-regular basis.