Credited as playing “unapologetic rock ‘n’ roll”, on their 2018 EP ‘Hot Trash’, Sydney’s Fox Company certainly bring an impressive amount of swagger. They often favour loving homages to the past within their music, but they’ve obviously decided there would be no point in messing with an established formula. That seems quite sensible when the 70s and 90s rock styles are as brilliantly played as they are here.
Formed in 2014, things seemed to come together quickly for Australia’s Black Heart Breakers. Within the first few years of their existence, the punk/punk ‘n’ roll quartet had already opened for punk royalty Marky Ramone, Ruts DC and Stiff Little Fingers. Such good fortune allowed the band to fly halfway across the world to record their 2018 EP at the legendary Blasting Room studios, owned by Descendents’ Bill Stevenson. So much material to come from that studio has a great, full sound and ‘Rotting Out’ is no exception. Given the place of its recording, it might not be a complete coincidence that the EP shares its name with a Descendents track, though perhaps no further connections should be sought.
Aussie rock legends Rose Tattoo have always been better known for their ferocious live performances. On October 17th, Cleopatra Records will release ‘Scarred For Live: 1980-1982’, a five disc set featuring the band during their classic years.
Among other things, the set includes their appearance at the Reading Festival in 1981. The show was recorded by the BBC and got a couple of repeat plays during Alan Freeman’s Radio 1 Rock Show in the early 90s.
A full press release follows.
Formerly known as The Bitter Sweethearts, the four musicians that make up Flickertail were drawn together by a love of classic rock. While their debut EP carries a very solid and classic sound, it never plays as if – like so many bands doing the rounds – they’re content with hammering out tried and tested clichés and trying to be a heavier version of Free or Rival Sons. Their work sometimes has an old soul and is often very melodic, but this EP seems very keen to shake things up in places, which in this case and a world of tired sounding rock acts, is a very good thing. The purists mightn’t like that, but it’ll be their loss.
Melbourne’s Espionage don’t just fly the flag for old style heavy metal, they positively scream its praises from the Victoria rooftops with a shameless pride, not only as if the 90s never changed perspectives, but also as if Slayer had never actually existed. Hearing their second EP ‘Wings of Thunder’ for the first time, the traditional metal sounds are so rooted in the past, it’s even hard to tell whether it was recorded in 1984 (as is its core sound) or 2016 (as claimed in the sleeve notes). This, of course, isn’t necessarily a bad thing – especially considering that, even at such an early stage in their career, the Aussie rockers sound like masters of their craft.