Steve Lamacq curated ‘Lost Alternatives’ box set due in March

Following the success of Gary Crowley’s ‘Punk & New Wave’ box set last year in which the legendary DJ explored a variety of great alternative music without presenting the well worn hits, Edsel are set to repeat the formula again this coming March with a Steve Lamacq curated four disc box.
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Watch: Ash present new video for ‘Confessions In The Pool’

To tie in with their autumn tour dates and as further promotion for their 2018 LP ‘Islands’, indie rock legends Ash have unveiled a new video for their new single ‘Confessions In The Pool’.

‘Confessions’ really taps into the band’s poppier side and has more in common with their ‘True Love 1980’ single than the better known classics ‘Burn Baby Burn’ and ‘Girl From Mars’, while the glossy video clip involves a choking priest and a teenager whom gets mistaken for the messiah.

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EDITORIAL COMMENT: Incomplete (or rambling thoughts on collecting from an obsessive music fan)

Right up to the 1980s, things were fairly simple as a music fan.  Your favourite bands released singles and albums and, as a loyal fan, you bought them knowing you’d kept to your end of the bargain.  Sometimes singles weren’t part of albums and in that case you got something extra.   Things started to change in the 1980s when the picture disc started to make regular appearances, thus meaning an occasional extra purchase.  Labels like ZTT (run by business-minded Trevor Horn and Paul Morley) were quick to capitalise on marketing strategies – with bands like Frankie Goes To Hollywood, they made sure that different formats had different mixes and different edits.  In the case of the fledgling cassette single, they even went an extra step by including unreleased bits and pieces from the cutting room floor, often to fans’ bemusement and eventual delight.

Not everyone was as keen to play the game.  Towards the end of the decade, Morrissey – in a spiteful lyrical snide against his then record company’s repackaging of Smiths material – gave us the lyrical legend “reissue, reissue, repackage…re-evaluate the songs, extra track and a tacky badge”. Some bands stuck rigidly to the old model of single release followed by album…and then a couple more singles (often with something extra on the b-side, sure; but once that was done, you knew that was it, at least until the next outpouring of new material in a couple of years).

By the mid-90s, albums would occasionally appear as special editions.  This usually involved a bonus disc containing a handful of extra songs (or in the case of The Beautiful South’s excellent ‘Carry On Up the Charts’ anthology, a whole disc of hard to find b-sides) or live material.  Another easy choice for the consumer: you chose to buy either the standard release or fork out a few extra quid for that bonus disc – job done, everybody happy.  Bon Jovi’s ‘Keep The Faith’ was among the first to mark a shifting tide towards fan-testing, record company greed when the special edition appeared months after the original album’s release.  This staggered release ensured almost everyone had purchased ‘Keep The Faith’ already…but would they buy it again?  Of course they would – if not everyone, then at least a good proportion of the die-hards would want that extra material.  Why wouldn’t they?  The floodgates were open.

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