Gotus? In terms of band names, that’s pretty ugly. It certainly isn’t terrible – that would be reserved for the likes of Smoking Gives You Big Tits, Dohny Jepp, and Fuck Yeah Dinosaurs, all of which not only have the misfortune to exist, but also the distinction of somehow being better than anything else those bands could come up with – but it certainly doesn’t inspire. It was chosen with solid reasoning, however: it’s a portmanteau designed to advertise the fact that this European supergroup features members of Gotthard and Krokus. That should be enough alone to secure the melodic rockers a decent audience, but in many ways, the biggest draw here is their choice of vocalist.
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Great Adventure: A Beginner’s Guide To Magnum
They might not have ever made it as big as Thin Lizzy or Whitesnake, and they never cracked the American market, but few rock bands have ever been quite as reliable as Magnum. Their journey to becoming one of Europe’s best and most treasured bands wasn’t always smooth, but after years of hard graft, they eventually found fame in the early to mid 80s, becoming a fan favourite both in the live setting and on record. Perhaps more impressive is the band’s consistency in the songwriting department. Guitarist Tony Clarkin (1946-2024) had an ability to write both rousing rockers and thoughtful narratives with equal skill, and his gifts for writing songs with huge, sweeping melodies made him a true giant of melodic rock. Their vast catalogue contains relatively few weak releases, and in many ways, shows why Magnum albums have often felt like one of rock music’s greatest comforts. But…if you’ve never taken the plunge, or perhaps only ever bought the ‘Marauder’ live album and ‘On A Storyteller’s Night’, what have you missed? Here’s the Real Gone guide to the Magnum essentials!
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MAGNUM – Here Comes The Rain
Magnum’s twenty second studio album, 2022’s ‘The Monster Roars’, came as a welcome surprise. Although huge chunks of the record sounded exactly like the latter day Magnum that fans adored, a few of the tracks took a bit more of a bold move, musically speaking. There were moments where the usual pomp gave way to a bigger rock sound, and on the lead single ‘Steppin’ Stones’, Magnum showed off an unexpectedly soulful edge, proving that the veteran rockers – although often working in a comfort zone – still had a couple of newer tricks up their collective sleeve. In addition, Bob Catley’s vocals sounded stronger than they had in a while. Although the global pandemic had set the band back in terms of promotion, the rest from touring had obviously been beneficial.
FATE – If Not For The Devil
In the minds of many, Danish rockers Fate will always be best remembered for being “that band that previously featured Mattius Eklundh on guitar”. When it comes to guitar based histrionics, Eklundh’s best work is hard to beat. On the first two albums released by his subsequent band Freak Kitchen, he managed to construct riffs that blended the grunge of Alice In Chains with the bendy jazz of a mid 70s Zappa and add the more bizarre elements of Steve Vai, but still end up with something strangely accessible and melodic. His guitar instrumental albums feature jaw-dropping sounds that are guaranteed to make the listener wonder how the hell he actually achieves some of his best tricks, and ‘Freak Guitar: The Road Less Travelled’ features the most insane version of ‘Smoke On The Water’ you’re ever likely to hear.
MORPHEUS PROJECT – On The Edge
Masterminded by Mustapha Khetty, the Morpheus Project involves a revolving cast of musicians helping to bring his songs to life. This seven track release follows 2021’s ‘Mosaick’ and brings another concept album into the world, and its songs happily shift between classic rock, AOR and melodic metal, showcasing the fact that Khetty’s compositional skills – although shamelessly retro – straddle a broad spectrum of rock styles. That freewheeling approach means that ‘On The Edge’ could be the kind of album that’ll strike a chord with lovers of the pompier elements of bands like Asia at times, but those fans are unlikely to enjoy the more metallic output, whilst those who like a big helping of proggy metal are unlikely to gravitate towards the more 80s aspects of the album. In trying to please both camps, Khetty risks pleasing no-one in the long term – and that’s a pity, as there’s some fine musicianship and a few strong melodies here.